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Mary Roberts Rinehart
Mary Roberts Rinehart (1876–1958) was an American writer often dubbed the "American Agatha Christie" for her prolific output of mystery novels and plays. She is best known for pioneering the "had I but known" narrative style and for her popular "The Bat," which later inspired the creation of Batman. Rinehart's work also includes adventure fiction and plays, making significant contributions to the genres of mystery and suspense.
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TWENTY-TWO I The Probationer's name was really Nella Jane Brown, but she was entered in the training school as N. Jane Brown. However, she meant when she was accepted to be plain Jane Brown. Not, of course, that she could ever be really plain. People on the outside of hospitals have a curious theory about nurses, especially if they are under twenty. They believe that they have been disappointed in...
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CHAPTER I I HAVE A WARNING When it was all over Mr. Sam came out to the spring-house to say good-by to me before he and Mrs. Sam left. I hated to see him go, after all we had been through together, and I suppose he saw it in my face, for he came over close and stood looking down at me, and smiling. "You saved us, Minnie," he said, "and I needn't tell you we're grateful; but do you...
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I PLAN A VOYAGE By the bequest of an elder brother, I was left enough money to see me through a small college in Ohio, and to secure me four years in a medical school in the East. Why I chose medicine I hardly know. Possibly the career of a surgeon attracted the adventurous element in me. Perhaps, coming of a family of doctors, I merely followed the line of least resistance. It may be, indirectly but...
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CHAPTER I Natalie Spencer was giving a dinner. She was not an easy hostess. Like most women of futile lives she lacked a sense of proportion, and the small and unimportant details of the service absorbed her. Such conversation as she threw at random, to right and left, was trivial and distracted. Yet the dinner was an unimportant one. It had been given with an eye more to the menu than to the guest...
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I The stage on which we play our little dramas of life and love has for most of us but one setting. It is furnished out with approximately the same things. Characters come, move about and make their final exits through long-familiar doors. And the back drop remains approximately the same from beginning to end. Palace or hovel, forest or sea, it is the background for the moving figures of the play. So...
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CHAPTER I The city turned its dreariest aspect toward the railway on blackened walls, irregular and ill-paved streets, gloomy warehouses, and over all a gray, smoke-laden atmosphere which gave it mystery and often beauty. Sometimes the softened towers of the great steel bridges rose above the river mist like fairy towers suspended between Heaven and earth. And again the sun tipped the surrounding hills...
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CHAPTER I The old stucco house sat back in a garden, or what must once have been a garden, when that part of the Austrian city had been a royal game preserve. Tradition had it that the Empress Maria Theresa had used the building as a hunting-lodge, and undoubtedly there was something royal in the proportions of the salon. With all the candles lighted in the great glass chandelier, and no sidelights, so...
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CHAPTER I. THE CROWN PRINCE RUNS AWAY The Crown Prince sat in the royal box and swung his legs. This was hardly princely, but the royal legs did not quite reach the floor from the high crimson-velvet seat of his chair. Prince Ferdinand William Otto was bored. His royal robes, consisting of a pair of blue serge trousers, a short Eton jacket, and a stiff, rolling collar of white linen, irked him. He had...
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The rather extraordinary story revealed by the experiments of the Neighborhood Club have been until now a matter only of private record. But it seems to me, as an active participant in the investigations, that they should be given to the public; not so much for what they will add to the existing data on psychical research, for from that angle they were not unusual, but as yet another exploration into...
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THE TRAIL The trail is narrow—often but the width of the pony's feet, a tiny path that leads on and on. It is always ahead, sometimes bold and wide, as when it leads the way through the forest; often narrow, as when it hugs the sides of the precipice; sometimes even hiding for a time in river bottom or swamp, or covered by the débris of last winter's avalanche. Sometimes it picks its...
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