CHAPTER I The Man Himself 1 Hark, Hark! The giant’s ponderous hammer rings on the anvil of destiny. Enter, thou massive figure, Bismarck, and in deadly earnest take thy place before Time’s forge. ¶ It is, it must be, a large story—big with destiny! The details often bore with their monotony; they do not at all times march on; they drag, but they do indeed never halt permanently; ahead always is... more...

INTRODUCTION The Editor begs the reader to believe that he under took the compilation of this volume with diffidence and trepidation, lest by any defect of judgment he might do aught to diminish the reputation which John Clare has always enjoyed with the lovers of pastoral poetry. He trusts that the shortcomings of an unskilful workman will be forgotten in admiration of the gems for which he has been... more...

ACT I The SCENE is the Italian Room in ROSCOE CROSBY'S Home in New York. It is a handsome room. A plan of the setting will be found at the end of the play. As the curtain rises Miss HELEN O'NEILL and WILLIAM CROSBY are discovered standing R.C. They are in each other's arms, and the rising curtain discloses them as they kiss. The window blinds are drawn. HELEN. I love you so. WILLIAM. You... more...

CHAPTER III. SECTION I.An Eclipse of the Moon observed.—The Island Toobouai discovered.—Its Situation, Extent, and Appearance.—Intercourse with its Inhabitants.—Their Persons, Dresses, and Canoes described.—Arrival at Oheitepeha Bay, at Otaheite.—Omai's Reception and imprudent Conduct.—Account of Spanish Ships twice visiting the Island.—Interview with the Chief of this... more...

Now first translated into English. This play is to be regarded merely as a dramatic narrative in which, for the purpose of tracing out the innermost workings of the soul, advantage has been taken of the dramatic method, without otherwise conforming to the stringent rules of theatrical composition, or seeking the dubious advantage of stage adaptation. It must be admitted as somewhat inconsistent that... more...

It wasn't much of a bump. The shock absorbers of the liquid-smooth convertible neutralized all but a tiny percent of the jarring impact before it could reach the imported English flannel seat of Coulter's expensively-tailored pants. But it was sufficient to jolt him out of his reverie, trebly induced by a four-course luncheon with cocktails and liqueur, the nostalgia of returning to a... more...

INVADERS Russ Evans, Pilot 3497, Rocket Squad Patrol 34, unsnapped his seat belt, and with a slight push floated "up" into the air inside the weightless ship. He stretched himself, and yawned broadly. "Red, how soon do we eat?" he called. "Shut up, you'll wake the others," replied a low voice from the rear of the swift little patrol ship. "See anything?"... more...

PREFACE Looking upon the human body from the physical point of view as the most perfect, most ingeniously economical, and most beautiful of living machines, the author has attempted to write a little handbook of practical instruction for the running of it. And seeing that, like other machines, it derives the whole of its energy from its fuel, the subject of foods—their properties, uses, and methods... more...

A DREAM OF ANTICIPATION The King of Cork was a funny shipAs ever ploughed the maine:She kep' no log, she went whar she liked;So her Cap'n warn't to blaime. The Management was funnier still.We always thought it dandy—Till it wrecked us on the Golden Horn,When we meant to land at Kandy. The Cap'n ran the boat ashoreIn aerated waters;The Purser died by swallowin' gas,Thus... more...

INTRODUCTION AND ANALYSIS. The dramatic power of the dialogues of Plato appears to diminish as the metaphysical interest of them increases (compare Introd. to the Philebus). There are no descriptions of time, place or persons, in the Sophist and Statesman, but we are plunged at once into philosophical discussions; the poetical charm has disappeared, and those who have no taste for abstruse metaphysics... more...