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by:
John Oxenham
HOW TWO LAY IN A CLEFT A girl and a boy lay in a cubby-hole in the north side of the cliff overlooking Port Gorey, and watched the goings-on down below. The sun was tending towards Guernsey and the gulf was filled witn golden light. A small brig, unkempt and dirty, was nosing towards the rough wooden landing-stage clamped to the opposite rocks, as though doubtful of the advisability of attempting its...
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by:
Bret Harte
CHAPTER I A long level of dull gray that further away became a faint blue, with here and there darker patches that looked like water. At times an open space, blackened and burnt in an irregular circle, with a shred of newspaper, an old rag, or broken tin can lying in the ashes. Beyond these always a low dark line that seemed to sink into the ground at night, and rose again in the morning with the first...
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CHAPTER I INTRODUCTORY What is meant by art?—The art faculty—How artists may be compared—The aim of illumination—Distinction between illumination and miniature—Definition of illumination—The first miniature painter—Origin of the term “miniature”—Ovid's allusion to his little book. The desire for decoration is probably as old as the human race. Nature, of course, is the source...
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CHAPTER I Our adventures hover round us like bees round the hive when preparing to swarm.—MAETERLINCK. From boyhood Malcolm Herrick had been a lover of the picturesque. In secret he prided himself on possessing the artistic faculty, and yet, except in the nursery, he had never drawn a line, or later on spoilt canvas and daubed himself in oils under the idea that he was an embryo Millais or Turner....
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Lodisa Frizell
This simple narrative journal was written at Cañon Creek in the Sierra Nevada Mountains of California, in the middle of December, 1852, by Mrs. Lodisa Frizzell, who, with her husband, Lloyd Frizzell, and their four sons, set out on April 14th, of that year, from their unnamed home, not far from Ewington, Effingham County, Illinois, on the upper reaches of the Little Wabash River, on an overland...
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by:
Bayard Veiller
ACT I The SCENE is the Italian Room in ROSCOE CROSBY'S Home in New York. It is a handsome room. A plan of the setting will be found at the end of the play. As the curtain rises Miss HELEN O'NEILL and WILLIAM CROSBY are discovered standing R.C. They are in each other's arms, and the rising curtain discloses them as they kiss. The window blinds are drawn. HELEN. I love you so. WILLIAM. You...
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by:
Alexander Hume
OF THE GROUNDES OF ORTHOGRAPHIE.Cap. 1. 1. To wryte orthographicallie ther are to be considered the symbol, the thing symbolized, and their congruence. Geve me leave, gentle reader, in a new art, to borrow termes incident to the purpose, quhilk, being defyned, wil further understanding. 2. The symbol, then, I cal the written letter, quhilk representes to the eie the sound that the mouth sould utter. 3....
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by:
Edith Thomas
CHAPTER I. MARY'S LETTERS RECEIVED AT CLEAR SPRING FARM. One morning in early spring, John Landis, a Pennsylvania German farmer living in Schuggenhaus Township, Bucks County, on opening his mail box, fastened to a tree at the crossroads (for the convenience of rural mail carriers) found one letter for his wife Sarah, the envelope addressed in the well-known handwriting of her favorite niece, Mary...
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Now first translated into English. This play is to be regarded merely as a dramatic narrative in which, for the purpose of tracing out the innermost workings of the soul, advantage has been taken of the dramatic method, without otherwise conforming to the stringent rules of theatrical composition, or seeking the dubious advantage of stage adaptation. It must be admitted as somewhat inconsistent that...
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by:
Gilbert Cannan
PREFACE "Jean-Christophe" is the history of the development of a musician of genius. The present volume comprises the first four volumes of the original French, viz.: "L'Aube," "Le Matin," "L'Adolescent," and "La Révólte," which are designated in the translation as Part I—The Dawn; Part II—Morning; Part III—Youth; Part IV—Revolt. Parts I and...
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