CHAPTER I It was over. The rambling house, with its rickety, old-fashioned furniture—and its memories—was now deserted, except for Robert Fairchild, and he was deserted within it, wandering from room to room, staring at familiar objects with the unfamiliar gaze of one whose vision suddenly has been warned by the visitation of death and the sense of loneliness that it brings. Loneliness, rather than... more...

ACT I. SCENE I. [1st Cut.] [2nd Grooves.] A Lane near a Village. Afternoon. Enter ARTHUR WALTON and WILLIAM, R.S.E. Arthur. Give me your arm, my feet tread heavily;The sameness of this scene doth pierce my heartWith thronging recollections of the past.There is nought chang'd—and what a world of care,Of sorrow, passion, pleasure have I known,Since but a natural part of this was I,Whose voice is... more...

CHAPTER I THE STRANGER AT THE BROCK HOUSE The steamer "Hatty" which plied between Jacksonville and Enterprise was late, and the people who had come down from the Brock House to the landing had waited half an hour before a puff of smoke in the distance told that she was coming. There had been many conjectures as to the cause of the delay, for she was usually on time, and those who had friends on... more...

CHAPTER I. THE LABOURER; AND HIS DAWNING DISCONTENT. Roger Acton woke at five. It was a raw March morning, still dark, and bitterly cold, while at gusty intervals the rain beat in against the crazy cottage-window. Nevertheless, from his poor pallet he must up and rouse himself, for it will be open weather by sunrise, and his work lies two miles off; Master Jennings is not the man to show him favour if... more...

CRITTENDEN I Day breaking on the edge of the Bluegrass and birds singing the dawn in. Ten minutes swiftly along the sunrise and the world is changed: from nervous exaltation of atmosphere to an air of balm and peace; from grim hills to the rolling sweep of green slopes; from a high mist of thin verdure to low wind-shaken banners of young leaves; from giant poplar to white ash and sugar-tree; from... more...

CRITICISM EVANGELINE A review of Mr. Longfellow's poem. EUREKA! Here, then, we have it at last,—an American poem, with the lack of which British reviewers have so long reproached us. Selecting the subject of all others best calculated for his purpose,—the expulsion of the French settlers of Acadie from their quiet and pleasant homes around the Basin of Minas, one of the most sadly romantic... more...

I. ADMINISTRATIVE NIHILISM. (AN ADDRESS TO THE MEMBERS OF THE MIDLAND INSTITUTE, OCTOBER 9TH, 1871.) To me, and, as I trust, to the great majority of those whom I address, the great attempt to educate the people of England which has just been set afoot, is one of the most satisfactory and hopeful events in our modern history. But it is impossible, even if it were desirable, to shut our eyes to the... more...

THE LIFE OF GEORGE ELIOT. The illustrious woman who is the subject of these volumes makes a remark to her publisher which is at least as relevant now as it was then. Can nothing be done, she asks, by dispassionate criticism towards the reform of our national habits in the matter of literary biography? 'Is it anything short of odious that as soon as a man is dead his desk should be raked, and every... more...

FRANCE IN THE EIGHTEENTH The announcement that one of the most ingenious and accomplished men of letters in Europe was engaged upon a history of the French Revolution, raised some doubts among those who have thought most about the qualifications proper to the historian. M. Taine has the quality of the best type of a man of letters; he has the fine critical aptitude for seizing the secret of an... more...

INTRODUCTION "WEDNESDAY 19 JANUARY [1763]. This was a day eagerly expected by Dempster, Erskine, and I, as it was fixed as the period of our gratifying a whim proposed by me: which was that on the first day of the new Tragedy called Elvira's being acted, we three should walk from the one end of London to the other, dine at Dolly's, & be in the Theatre at night; & as the Play would... more...