I. INTRODUCTORY These lectures will not be concerned with history as a record of wars and political changes; they will have little to tell of battles, murders, and sudden deaths. Instead, we shall try to discover and throw light on the cyclic movements of the Human Spirit. Back of all phenomena, or the outward show of things, there is always a noumenon in the unseen. Behind the phenomena of human... more...

INTRODUCTION Between those last precise accounts of military engagements which antiquity has left us in small number, and what may be called the modern history of war, there lies a period of many centuries—quite 1400 years—during which the details of an action and even the main features of a campaign are never given us by contemporary recorders. Through all that vast stretch of time we are... more...

Three times during dinner he had asked himself what, after all, was he there for? And at the end of it, as she rose, her eyes held him for the first time that evening, as if they said that he would see. She had put him as far from her as possible, at the foot of her table between two of the four preposterous celebrities whom she had asked him, George Tanqueray, to meet. Everything, except her eyes, had... more...

CHAPTER I. THE COMING OF THE SCHOOLMASTER The spirit of Indian Summer, enveloped in a delicate bluish haze, pervaded the Kentucky forest. Through the treetops sounded a sighing minor melody as now and then a leaf bade adieu to the companions of its summer revels, and sought its winter's rest on the ground beneath. On a fallen log a redbird sang with jubilant note. What cared he for the lament of... more...

CHAPTER I. INTRODUCTORY Among the recollections that are lifelong, I have one as vivid as ever after more than twenty-five years have elapsed; it is of an evening lecture—the first of a series—given at South Kensington to working men. The lecturer was Professor Huxley; his subject, the Common Lobster. All the apparatus used was a good-sized specimen of the creature itself, a penknife, and a... more...

CHAPTER I PRODUCTION AND CREATIVE EFFORT As a human experience, the act of creating, the process of fabricating wealth, has been at different times as worthy of celebration as the possession of it. Before business enterprise and machine production discredited handwork, art for art's sake, work for the love of work, were conceivable human emotions. But to-day, a Cezanne who paints pictures and... more...

Intellectual advance occurs in two ways. At times increase of knowledge is organized about old conceptions, while these are expanded, elaborated and refined, but not seriously revised, much less abandoned. At other times, the increase of knowledge demands qualitative rather than quantitative change; alteration, not addition. Men's minds grow cold to their former intellectual concerns; ideas that... more...

INTRODUCTION "For there is nothing either good or bad but thinking makes it so." SHAKESPEARE "To the impure all things are impure." NIETZSCHE In "The Little Demon" Sologub has shown us how the evil within us peering out through our imagination makes all the world seem evil to us. In "The Created Legend," feeling perhaps the need of reacting from his morose creation... more...

Title PageillustrationThe kisses of an enemy are deceitful, but not as deceitful as the advice of the friend who is always counseling you for your own good.illustrationThe best and the worst in man respond only to woman’s touch—unfortunately for man.illustrationMen reason; women do not. Woman has no logic, and judging from the use it is to man, is better off without it.illustrationThe present... more...

A note about this story This story is from my collection, "A Place So Foreign and Eight More," published by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've released this story, along with five others, under the terms of a Creative Commons license that gives you, the reader, a bunch of rights that copyright normally reserves for me, the creator. I recently did the... more...