II. THE VALUE OF ROWLEY'S POEMS—PHILOLOGICAL AND LITERARY As imitations of fifteenth-century composition it must be confessed the Rowley poems have very little value. Of Chatterton's method of antiquating something has already been said. He made himself an antique lexicon out of the glossary to Speght's Chaucer, and such words as were marked with a capital O, standing for... more...

I The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire." It bears the mark of its origin, for even to-day it is true that the more it creates the illusion of the speaking-voice, causing the reader to listen and to see, so that he forgets the printed page, the better does it... more...

SCENE I.—The Library Enter SURFACE and SERVANT SURFACE. Mr. Stanley! and why should you think I would see him?— you must know he came to ask something! SERVANT. Sir—I shouldn't have let him in but that Mr. Rowley came to the Door with him. SURFACE. Pshaw!—Blockhead to suppose that I should now be in a Temper to receive visits from poor Relations!—well why don't you show the Fellow... more...

CHAPTER ONE THE POWER OF CONSOLATION At the first glance there appeared to be nothing unusual in the scene confronting Miss Jane Combs as she stood, broad and heavy, in her doorway that May morning, looking up and down the single street of the little Colorado mining-town. Jane's house was broad and heavy also—a rough, paintless "shack," which she had built after her own ideals on a... more...

PREFACE. This letter from the President of Bowdoin College is printed as an appropriate preface to the pages which follow. I thank you for the advanced sheets of the "Bowdoin Boys in Labrador." As Sallust says, "In primis arduum videtur res gestas scribere; quod facta dictis sunt exaequanda." In this case, the diction is equal to the deed: the clear and vivacious style of the writer is... more...

BRINGING UP KARI ari, the elephant, was five months old when he was given to me to take care of. I was nine years old and I could reach his back if I stood on tiptoe. He seemed to remain that high for nearly two years. Perhaps we grew together; that is probably why I never found out just how tall he was. He lived in a pavilion, under a thatched roof which rested on thick tree stumps so that it could... more...

THE GIRL, AND A GREAT PERIL The late afternoon sun was streaming in across the cabin floor as the girl stole around the corner and looked cautiously in at the door. There was a kind of tremulous courage in her face. She had a duty to perform, and she was resolved to do it without delay. She shaded her eyes with her hand from the glare of the sun, set a firm foot upon the threshold, and, with one wild... more...

CHAPTER I PARASITISM AND DISEASE PARASITES he dictionary says that a parasite is a living organism, either animal or plant, that lives in or on some other organism from which it derives its nourishment for a whole or part of its existence. This definition will serve as well as any, as it seems to include all the forms that might be classed as parasites. As a general thing, however, we are accustomed to... more...

FATTY COON AT HOME Fatty Coon was so fat and round that he looked like a ball of fur, with a plumelike tail for a handle. But if you looked at him closely you would have seen a pair of very bright eyes watching you. Fatty loved to eat. Yes—he loved eating better than anything else in the world. That was what made him so fat. And that, too, was what led him into many adventures. Close by a swamp,... more...

CHAPTER ONE. Casanova was in his fifty-third year. Though no longer driven by the lust of adventure that had spurred him in his youth, he was still hunted athwart the world, hunted now by a restlessness due to the approach of old age. His yearning for Venice, the city of his birth, grew so intense that, like a wounded bird slowly circling downwards in its death flight, he began to move in... more...