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Robert Smythe Hichens
Robert Smythe Hichens (1864-1950) was an English novelist, journalist, and music critic, best known for his satirical and supernatural fiction. His novel "The Green Carnation" (1894) gained notoriety for its thinly veiled depiction of the relationship between Oscar Wilde and Lord Alfred Douglas. Hichens' works often explore themes of decadence and the occult, with "The Garden of Allah" (1904) being one of his most successful novels, adapted into several films.
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SMAÏN "When the African is in love he plays upon the pipe." Sahara Saying. Far away in the desert I heard the sound of a flute, pure sound in the pure air, delicate, sometimes almost comic with the comicality of a child who bends women to kisses and to nonsense-words. We had passed through the sandstorm, Safti and I, over the wastes of saltpetre, and come into a land of palm gardens where...
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In travelling about the world one collects a number of those trifles of all sorts, usually named "curiosities," many of them worthless if it were not for the memories they recall. The other day I was clearing out a bureau before going abroad, and in one of the drawers I came across a hedgehog's foot, set in silver, and hung upon a tarnished silver chain. I picked it up in the Sahara, and...
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I had arrived at Inley Abbey that afternoon, and was sitting at dinner with Inley and his pretty wife, whom I had not seen for five years, since the day I was his best man, when we all heard faintly the tolling of a church bell. Lady Inley shook her shoulders in a rather exaggerated shudder. "Someone dead!" said her husband. "It's a mistake to build a church in the grounds of a...
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On an evening of last summer I was dining in London at the Carlton with two men. One of them was an excellent type of young England, strong, healthy, athletic, and straightforward. The other was a clever London doctor who was building up a great practice in the West End. At dessert the conversation turned upon a then recent tragedy in which a great reputation had gone down, and young England spoke...
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PART I.THE RAINBOW. In London nightfall is a delirium of bustle, in the country the coming of a dream. The town scatters a dust of city men over its long and lighted streets, powders its crying thoroughfares with gaily dressed creatures who are hidden, like bats, during the hours of day, opens a thousand defiant yellow eyes that have been sealed in sleep, throws off its wrapper and shows its elaborate...
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CHAPTER I IN a large and cool drawing-room of London a few people were scattered about, listening to a soprano voice that was singing to the accompaniment of a piano. The sound of the voice came from an inner room, towards which most of these people were looking earnestly. Only one or two seemed indifferent to the fascination of the singer. A little woman, with oily black hair and enormous dark eyes,...
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CHAPTER I Somewhere, not far off on the still sea that held the tiny islet in a warm embrace, a boy's voice was singing "Napoli Bella." Vere heard the song as she sat in the sun with her face set towards Nisida and the distant peak of Ischia; and instinctively she shifted her position, and turned her head, looking towards the calm and untroubled water that stretched between her and Naples....
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Mrs. Eustace Greyne (pronounced Green) wrinkled her forehead—that noble, that startling forehead which had been written about in the newspapers of two hemispheres—laid down her American Squeezer pen, and sighed. It was an autumn day, nipping and melancholy, full of the rustle of dying leaves and the faint sound of muffin bells, and Belgrave Square looked sad even to the great female novelist who...
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On a windy night of Spring I sat by a great fire that had been built by Moors on a plain of Morocco under the shadow of a white city, and talked with a fellow-countryman, stranger to me till that day. We had met in the morning in a filthy alley of the town, and had forgathered. He was a wanderer for pleasure like myself, and, learning that he was staying in a dreary hostelry haunted by fever, I invited...
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"Why shouldn't we collaborate?" said Henley in his most matter-of-fact way, as Big Ben gave voice to the midnight hour. "Everybody does it nowadays. Two heads may be really better than one, although I seldom believe in the truth of accepted sayings. Your head is a deuced good one, Andrew; but—now don't get angry—you are too excitable and too intense to be left quite to...
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