I. GENOA I The traveller who on his way to Italy passes along the Riviera di Ponente, through Marseilles, Nice, and Mentone to Ventimiglia, or crossing the Alps touches Italian soil, though scarcely Italy indeed, at Turin, on coming to Genoa finds himself really at last in the South, the true South, of which Genoa la Superba is the gate, her narrow streets, the various life of her port, her picturesque... more...

CHAPTER I EVENING IN GLENAVELIN From the heart of a great hill land Glenavelin stretches west and south to the wider Gled valley, where its stream joins with the greater water in its seaward course. Its head is far inland in a place of mountain solitudes, but its mouth is all but on the lip of the sea, and salt breezes fight with the flying winds of the hills. It is a land of green meadows on the brink... more...

THE RIGHTS OF THE CHILD "Give me liberty, or give me death!" The subject of Children's Rights does not provoke much sentimentalism in this country, where, as somebody says, the present problem of the children is the painless extinction of their elders. I interviewed the man who washes my windows, the other morning, with the purpose of getting at the level of his mind in the matter.... more...

FOREWORD In presenting a loyal and venerable ex-slave as an artless exponent of freedom, freedom of conduct as well as of speech, the author of this trivial volume is perhaps not composing an individual so truly as individualizing a composite, if the expression will pass. The grizzled brown dispenser of homely admonitions is a figure not unfamiliar to those who have "moved in plantation... more...

THE TRAGICAL HISTORY OF DOCTOR FAUSTUS FROM THE QUARTO OF 1604. Enter CHORUS. CHORUS. Not marching now in fields of Thrasymene,Where Mars did mate the Carthaginians;Nor sporting in the dalliance of love,In courts of kings where state is overturn'd;Nor in the pomp of proud audacious deeds,Intends our Muse to vaunt her heavenly verse:Only this, gentlemen,—we must performThe form of Faustus'... more...

DRYDEN ON SHAKSPERE. "Dryden may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition."—Samuel Johnson. No one of the early prose testimonies to the genius of Shakspere has been more admired than that which bears the signature of John Dryden. I must transcribe it, accessible as it is elsewhere, for... more...

PREFACE. he gathering together of the Proverbs of Scotland has occupied the attention of several collectors. The earliest work on the subject which has been traced is that of Beaton, Archbishop of Glasgow, who, about the time of the Reformation, made a small collection. The definite information which we have of this work is so very slight, however, that it has been of little or no value to subsequent... more...

BEETHOVEN'S LETTERS. 216.TO STEINER & CO. The Adjutant's innocence is admitted, and there is an end of it! We beg you to be so good as to send us two copies in score of the Symphony in A. We likewise wish to know when we may expect a copy of the Sonata for Baroness von Ertmann, as she leaves this, most probably, the day after to-morrow. No. 3--I mean the enclosed note--is from a musical... more...

I.The Voyage of the Hampshire. Voyage to Australia has in these days become so ordinary an affair that it may seem to require an apology to attempt to describe one, but a voyage in a sailing ship is so different from that in a steamer that it may interest some people. It is, as a rule, only those who go abroad for their health who prefer a sailing ship, on account of the great length of the voyage, in... more...

CHAPTER I. When Death is present in a household on a Christmas Day, the very contrast between the time as it now is, and the day as it has often been, gives a poignancy to sorrow—a more utter blankness to the desolation.  James Leigh died just as the far-away bells of Rochdale Church were ringing for morning service on Christmas Day, 1836.  A few minutes before his death, he opened his already... more...