INTRODUCTION Whatever its outward expression, human thought remains essentially unchanged and, throughout all of its manifestations, is fundamentally the same. Varying phases are but accidents and underneath the divers wrappings of historic periods or different civilizations, the heart as well as the mind of man has been moved by the same desires. Art possesses a unity like that of nature. It is... more...

CHAPTER I. Control of Trade and Plantations Under James I and Charles I. In considering the subject which forms the chief topic of this paper, we are not primarily concerned with the question of settlement, intimately related though it be to the larger problem of colonial control. We are interested rather in the early history of the various commissions, councils, committees, and boards appointed at one... more...

STORYOLOGY. I. What is a myth? According to Webster, it is 'a fabulous or imaginary statement or narrative conveying an important truth, generally of a moral or religious nature: an allegory, religious or historical, of spontaneous growth and popular origin, generally involving some supernatural or superhuman claim or power; a tale of some extraordinary personage or country that has been gradually... more...

INTRODUCTION "A work of art is first cloudily conceived in the mind; during the period of gestation it stands more clearly forward from these swaddling mists, puts on expressive lineaments, and becomes at length that most faultless, but also, alas! that incommunicable product of the human mind, a perfected design. On the approach to execution all is changed. The artist must now step down, don his... more...

INTRODUCTION. No answer is given in the Lysis to the question, 'What is Friendship?' any more than in the Charmides to the question, 'What is Temperance?' There are several resemblances in the two Dialogues: the same youthfulness and sense of beauty pervades both of them; they are alike rich in the description of Greek life. The question is again raised of the relation of knowledge... more...

Chapter I The Rochambeau S'en Va-t-en Guerre Moored alongside a great two-storied pier, with her bow to the land, the cargo and passenger boat, Rochambeau, of the Compagnie Générale was being loaded with American supplies for the France of the Great War. A hot August sun struck spots and ripples of glancing radiance from the viscous, oily surface of the foul basin in which she lay inert; the air... more...

stands for anrcher,Bfor hisBow;CtheCrow that he shot at;—andDfor hisDog. Estands for anEnsign,Ffor aFlag, and aFort:Gstands for aGoat;—andHfor aHorse. Istands for anItalian,Jfor aJug, and forJane:Kstands for aKite:—andLfor aLobster. Mstands forMary,Nfor theNumbers she wrote;Ostands for anOwl:—andPfor a prettyParrot. Qstands for aQueen,Rfor theRose in her hand:Sfor theSword... more...

PART I. An Errant King THE thunder groaned, the wind howled, the rain fell in hissing torrents, impenetrable darkness covered the earth. A blue and forky flash darted a momentary light over the landscape. A Doric temple rose in the centre of a small and verdant plain, surrounded on all sides by green and hanging woods. 'Jove is my only friend,' exclaimed a wanderer, as he muffled himself up... more...

THE NEW FABLE OF THE PRIVATE AGITATOR AND WHAT HE COOKED UP Ambition came, with Sterling Silver Breast-Plate and Flaming Sword, and sat beside a Tad aged 5. The wee Hopeful lived in a Frame House with Box Pillars in front and Hollyhocks leading down toward the Pike. "Whither shall I guide you?" asked Ambition. "Are you far enough from the Shell to have any definite Hankering?" "I... more...

or a long time, Henry Bemis had had an ambition. To read a book. Not just the title or the preface, or a page somewhere in the middle. He wanted to read the whole thing, all the way through from beginning to end. A simple ambition perhaps, but in the cluttered life of Henry Bemis, an impossibility. Henry had no time of his own. There was his wife, Agnes who owned that part of it that his employer, Mr.... more...