INTRODUCTION. A word in explanation of this English edition is perhaps not unnecessary. It will be remembered that the arguments in the following pages appeared originally in the columns of Le Siècle, and from the correspondence between M. Yves Guyot and Dr. Kuyper and M. Brunetière (Appendix B), the reader will understand how the publication of Le Siècle articles in pamphlet form arose. In the... more...

Chapter I From Broadway To Ghent When the war broke out in August, 1914, I was at work in the City Room of the "New York Evening Post." One morning, during the first week of activities, the copy boy handed me a telegram which was signed "Luther, Boston," and contained the rather cryptic message: —"How about this fight?" It was some moments before I could recall the time, more... more...

I Finding himself in the level wood-road, whose open aisle drew a long, straight streak across the sky, still luminous with the late-lingering Adirondack twilight, the tall young fugitive, hatless, coatless, and barefooted, paused a minute for reflection. As he paused, he listened; but all distinctiveness of sound was lost in the play of the wind, up hill and down dale, through chasm and over crag, in... more...

The Chief Secretary's Musical Performance, with Accompaniment.—Mr. John Morley arrived last Friday at Kingston. He went to Bray. He was "accompanied" by the Under Secretary. Surely the Leader of the Opposition, now at Belfast, won't lose such a chance as this item of news offers. The "Water-Carnival."—Good idea! But a very large proportion of those whom the show attracts... more...

hen the first strong sunlight of May covered the tree-arched avenues of Center City with green, the riots started. The people gathered in angry knots outside the city hall, met in the park and littered its walks with newspapers and magazines as they gobbled up editorial comment at a furious rate, slipped with dark of night through back alleys and planned things with furious futility. Center City's... more...

When nursery lamps are veiled, and nurse is singing In accents low,Timing her music to the cradle's swinging,Now fast, now slow,— Singing of Baby Bunting, soft and furry In rabbit cloak,Or rock-a-byed amid the toss and flurryOf wind-swept oak; Of Boy-Blue sleeping with his horn beside him, Of my son John,Who went to bed (let all good boys deride him)With stockings on; Of sweet Bo-Peep following... more...

I.—Ab initio. The name of the father of Ginx's Baby was Ginx. By a not unexceptional coincidence, its mother was Mrs. Ginx. The gender of Ginx's Baby was masculine. On the day when our hero was born, Mr. and Mrs. Ginx were living at Number Five, Rosemary Street, in the City of Westminster. The being then and there brought into the world was not the only human entity to which the title of... more...

ACT I The Act takes place in autumn in a large village. The Scene represents PETER'S roomy hut. PETER is sitting on a wooden bench, mending a horse-collar. ANÍSYA and AKOULÍNA are spinning, and singing a part-song. Peter (looking out of the window). The horses have got loose again. If we don't look out they'll be killing the colt. Nikíta! Hey, Nikíta! Is the fellow deaf?... more...

In Macao. A Story from the "Grasshopper's Library." I was seated one pleasant day in the garden, which was given to the city of Macao by the Marcos family, near the grotto sacred to the poet Camoens, when a Portuguese priest came from among the wilderness of flowers and sat beside me. He spoke English with a pleasant accent and we read Bowring's effusion together, as it is engraved on... more...

THE STORY OF BURNT NJAL 1. OF FIDDLE MORD There was a man named Mord whose surname was Fiddle; he was the son of Sigvat the Red, and he dwelt at the "Vale" in the Rangrivervales. He was a mighty chief, and a great taker up of suits, and so great a lawyer that no judgments were thought lawful unless he had a hand in them. He had an only daughter, named Unna. She was a fair, courteous, and gifted... more...