Joseph Sheridan Le Fanu

Joseph Sheridan Le Fanu
Joseph Sheridan Le Fanu (1814-1873) was an Irish writer renowned for his contributions to gothic fiction and ghost stories. His works, such as the novella "Carmilla," a pioneering vampire tale, significantly influenced the horror genre. Le Fanu's ability to create atmospheric and psychologically complex narratives has cemented his legacy as a master of supernatural fiction.

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GHOST STORIES OF CHAPELIZOD Take my word for it, there is no such thing as an ancient village, especially if it has seen better days, unillustrated by its legends of terror. You might as well expect to find a decayed cheese without mites, or an old house without rats, as an antique and dilapidated town without an authentic population of goblins. Now, although this class of inhabitants are in nowise... more...

CHAPTER I Dr. Hesselius Relates How He Met the Rev. Mr. Jennings The Rev. Mr. Jennings is tall and thin. He is middle-aged, and dresses with a natty, old-fashioned, high-church precision. He is naturally a little stately, but not at all stiff. His features, without being handsome, are well formed, and their expression extremely kind, but also shy. I met him one evening at Lady Mary Heyduke's. The... more...

DICKON THE DEVIL. ABOUT thirty years ago I was selected by two rich old maids to visit a property in that part of Lancashire which lies near the famous forest of Pendle, with which Mr. Ainsworth’s “Lancashire Witches” has made us so pleasantly familiar. My business was to make partition of a small property, including a house and demesne to which they had, a long time before, succeeded as... more...

irst, I must tell you how I intend to relate my story. Having never before undertaken to write a long narrative, I have considered and laid down a few rules which I shall observe. Some of these are unquestionably good; others, I daresay, offend against the canons of composition; but I adopt them, because they will enable me to tell my story better than, with my imperfect experience, better rules... more...

Jim Sulivan was a dacent, honest boy as you'd find in the seven parishes, an' he was a beautiful singer, an' an illegant dancer intirely, an' a mighty plisant boy in himself; but he had the divil's bad luck, for he married for love, an 'av coorse he niver had an asy minute afther. Nell Gorman was the girl he fancied, an' a beautiful slip of a girl she was, jist twinty... more...

A PRELIMINARY WORD The writer of this Tale ventures, in his own person, to address a very few words, chiefly of explanation, to his readers. A leading situation in this 'Story of Bartram-Haugh' is repeated, with a slight variation, from a short magazine tale of some fifteen pages written by him, and published long ago in a periodical under the title of 'A Passage in the Secret History of... more...

Chapter ION THE ROADIn the eventful year, 1815, I was exactly three-and-twenty, and had just succeeded to a very large sum in consols and other securities. The first fall of Napoleon had thrown the continent open to English excursionists, anxious, let us suppose, to improve their minds by foreign travel; and I—the slight check of the "hundred days" removed, by the genius of Wellington, on the... more...

An Authentic Narrative ofa Haunted House [The Editor of the UNIVERSITY MAGAZINE submits the following very remarkable statement, with every detail of which he has been for some years acquainted, upon the ground that it affords the most authentic and ample relation of a series of marvellous phenoma, in nowise connected with what is technically termed "spiritualism," which he has anywhere met... more...

MADAM CROWL'S GHOST Twenty years have passed since you last saw Mrs. Jolliffe's tall slim figure. She is now past seventy, and can't have many mile-stones more to count on the journey that will bring her to her long home. The hair has grown white as snow, that is parted under her cap, over her shrewd, but kindly face. But her figure is still straight, and her step light and active. She... more...

Schalken the Painter "For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both. Let him, therefore, take his rod away from me, and let not his fear terrify me." There exists, at this moment, in good preservation a remarkable work of Schalken's. The curious management of its lights constitutes, as usual in his pieces, the chief... more...

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