I It was the morning after the shipwreck. The five men still lay where they had slept. A long time had passed since anybody had spoken. A long time had passed since anybody had moved. Indeed, it, looked almost as if they would never speak or move again. So bruised and bloodless of skin were they, so bleak and sharp of feature, so stark and hollow of eye, so rigid and moveless of limb that they might... more...

INTRODUCTION Swift has been styled the Prince of Journalists. Like most titles whose aim is to express in modern words the character and achievements of a man of a past age, this phrase is not of the happiest. Applied to so extraordinary a man as Jonathan Swift, it is both misleading and inadequate. At best it embodies but a half-truth. It belongs to that class of phrases which, in emphasizing a... more...

I AMONG THE MASSES, OR TRAITS OF CHARACTER. Whatever criticism I choose to make on human character, I hope to soften the criticism with the "milk of human kindness." As rude rough rocks on mountain peaks wear button-hole bouquets so there are intervening traits in the rudest human character, which, if the clouds could only part, would show out in redeeming beauty. To begin with, I believe... more...

"SEQUIL" OR THINGS WHITCH AINT FINISHED IN THE FIRST Sept. 7, 186- Gosh, what do you think, last nite father and mother and me and Keene and Cele and aunt Sarah was sitting at supper when father, he sed i am a going to read your diry tonite. Gosh i was scart for i hadent wrote ennything in it for a long time. so after supper i went over to mister Watsons and asked him if he dident want to see... more...

WEAR AND TEAR, OR HINTS FOR THE OVERWORKED. Many years ago I found occasion to set before the readers of Lippincott's Magazine certain thoughts concerning work in America, and its results. Somewhat to my surprise, the article attracted more notice than usually falls to the share of such papers, and since then, from numerous sources, I have had the pleasure to learn that my words of warning have... more...

THE EXILES. In the latter part of October, 1863, seven very anxious and dilapidated personages were assembled under the roof of an old, eight-storied tenement, near the church of St. Sulpice, in the city of Paris. The seven under consideration had reached the catastrophe of their decline—and rise. They had met in solemn deliberation to pass resolutions to that effect, and take the only congenial... more...

CHAPTER I THE COMING OF NEGROES TO AMERICA 1. African Origins An outstanding characteristic of recent years has been an increasing recognition of the cultural importance of Africa to the world. From all that has been written three facts are prominent: (1) That at some time early in the Middle Ages, perhaps about the seventh century, there was a considerable infiltration of Arabian culture into the... more...

LETTER XIX. May 19. Dear E.:— This letter I consecrate to you, because I know that the persons and things to be introduced into it will most particularly be appreciated by you. In your evening reading circles, Macaulay, Sidney Smith, and Milman have long been such familiar names that you will be glad to go with me over all the scenes of my morning breakfast at Sir Charles Trevelyan's yesterday.... more...

INTRODUCTION The City Bride, by Joseph Harris, is of special interest as the only adaptation from the canon of John Webster to have come upon the stage in the Restoration. Nahum Tate’s Injur’d Love: or, The Cruel Husband is an adaptation of The White Devil, but it was never acted and was not printed until 1707. The City Bride is taken from A Cure for a Cuckold, in which William Rowley and perhaps... more...

TWO-PENN'ORTH OF THEOSOPHY. (A Sketch at the Islington Arcadia.) SCENE—The Agricultural Hall. A large Steam-Circus is revolving with its organ in full blast; near it is a "Razzle-Dazzle" Machine, provided with a powerful mechanical piano. To the combined strains of these instruments, the merrier hearts of Islington are performing a desultory dance, which seems to consist chiefly in the... more...