HIGH NOTES BY OUR MUSICAL CRITIC. PUNCHINELLO'S critic, always the friend of fair-play, resents the insinuation that Mr. CARL ROSA has been a careless director of Opera. The truth is that Mr. ROSA has not produced the smallest work without a great deal of Preparation. FLOTOW'S Shadow is to be brought out in London. It will not stand the ghost of a chance unless well mounted. Music light and... more...

THE GREAT CANAL ENTERPRISE. [FROM OUR SPECIAL BOSTON CORRESPONDENT.] BOSTON, May 8th, 1870. We Bostonians are greatly surprised that your valuable journal has as yet taken no notice of the great undertaking of the century—the Cape Cod Canal. However, you New-Yorkers are quite out of the world, and unless you read the Boston Transcript regularly, can not be expected to know much about the enterprises... more...

THE PLAYS AND SHOWS. BATHOS and pathos are closely allied in sound as well as in sense. Mr. FECHTER evidently regards them as completely identical; and in his acting, as in his pronunciation, uniformly prefers the former to the latter. He has recently exemplified this by his personation of CLAUDE MELNOTTE, in that most tawdry specimen of the cotton-velvet drama, the LADY OF LYONS. This melancholy event... more...

THE DELIGHTS OF DOUGHERTY. At the Banquet of the Army of the Potomac in Philadelphia, Mr. DANIEL DOUGHERTY made one of the most extraordinary speeches on record, if we except certain forensic efforts of Mr. PUNCHINELLO delivered during the earlier stages of his career from his box. Mr. DOUGHERTY is a Soarer, and a Spreader, and a Screamer. Speaking metaphorically, be goes higher, measures more from the... more...

THE WARNING OF THE BELLE LOOK OUT FOR THE TRAIN. PATRIOTIC ADORATION. A TALE OF PHILADELPHIA.People of the Quaker City,How the world must stand aghastAt your wondrous venerationFor those relics of the past,Kept in such precise condition,Fostered with such tender care—Don't, oh! don't the PhiladelphiansLove old Independence Square? Splendid are its walks and grass-plotsWhere the... more...

Booth's Theatre has become famous as the place where Mr. MOLLENHAUER nightly leads his admirable orchestra, and plays with exquisite skill and infinite tenderness his unrivalled violin solos. Since this theatre opened, there have been several attempts to add dramatic entertainments to the attractive concerts given by Mr. MOLLENHAUER. Two great actors, Mr. JEFFERSON and Mr. BOOTH, have at different... more...

This nice little French drama has now been running at the FIFTH AVENUE THEATRE more than seven weeks. It is the story of a man who killed the seducer of his wife, and then forgave and received back again the guilty woman. The same tragic farce was played in Washington some eleven years ago. The actor who played the part of the outraged husband made an effective hit at the time, but he has never... more...

THE UMBRELLA. A VIEW OF THE SHADY SIDE OF LIFE. A ripe pippin falling upon the head of Sir ISAAC NEWTON (a clear case of hard cider on the brain) suggested the laws of gravitation. An elderly countryman passing my window this clear bright day, attended by his faithful umbrella, suggested the following reflections. The term Umbrella comes from the Latin umbra, a shade—the whole signifying "keep... more...

His name, PUNCHINELLO hopes, will not be found a difficult one to articulate. He flatters himself that it has a smack of grape-juice and olives about it. It rhymes with "mellow," which naturally brings us to "good fellow.". On occasions PUNCHINELLO can "bellow," cut a "tremendous swell," O, and he never throws away a chance of pocketing the "yellow." He would... more...

Yesterday, before the Theatres Committee of the London County Council, the appeal of Mr. Henry Irving (the well-known actor and manager) against the decision of the Sub-Committee to refuse a licence to the Lyceum Theatre, came on for hearing. After Mr. Henry Irving (who appeared in person) had addressed the Committee at some length, dwelling upon the character of the pieces he had produced during his... more...