ACT I. Scene: Within the tent of Menones, on the plain before Nineveh. Left, centre, entrance to tent from the plain. Curtains rear, forming partition with exits right and left of centre. The same at right, with one exit, centre. Couch rear, between exits. From a tent-pole near exit, right centre, hang helmet and a suit of chain armor. Sola parts curtains rear, left, and looks out, showing effort to... more...

INTRODUCTION. The object of this work is not to describe all the many races of animals which have been domesticated by man, and of the plants which have been cultivated by him; even if I possessed the requisite knowledge, so gigantic an undertaking would be here superfluous. It is my intention to give under the head of each species only such facts as I have been able to collect or observe, showing the... more...

A note about this story This story is from my collection, "A Place So Foreign and Eight More," published by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've released this story, along with five others, under the terms of a Creative Commons license that gives you, the reader, a bunch of rights that copyright normally reserves for me, the creator. I recently did the... more...

CHAPTER I THE HOME ON THE GREAT PLAIN Some like to be one thing, some another. There is so much to be done, so many different things to do, so many trades! Shepherds, soldiers, sailors, ploughmen, carters—one could go on all day naming without getting to the end of them. For myself, boy and man, I have been many things, working for a living, and sometimes doing things just for pleasure;... more...

FOREWORD In presenting a loyal and venerable ex-slave as an artless exponent of freedom, freedom of conduct as well as of speech, the author of this trivial volume is perhaps not composing an individual so truly as individualizing a composite, if the expression will pass. The grizzled brown dispenser of homely admonitions is a figure not unfamiliar to those who have "moved in plantation... more...

PREFACE. The chief object of a word of preface to the following notes is that the reader may not expect from them more, or other, than is intended. They are the result of meditations—not so much of a critical as a devotional character—on the book, in the regular course of private morning readings of the Scriptures—meditations which were jotted down at the time, and the refreshment and blessing... more...

INTRODUCTION. The important influence which German literature has exercised on American culture and literature extends from the early part of the nineteenth century. This influence was, in a measure, a continuation of the interest and activity that had existed in England during the last quarter of the eighteenth century. Prior to 1790, numerous translations from Gellert, Wieland, Klopstock, Lessing,... more...

PREFACE A single purpose runs throughout this little book, though different aspects of it are treated in the three several parts. The first part, "The Mystery of Evil," written soon after "The Idea of God," was designed to supply some considerations which for the sake of conciseness had been omitted from that book. Its close kinship with the second part, "The Cosmic Roots of Love... more...

CHAPTER I THE EARLY MARRIED LIFE OF THE MORELS "THE BOTTOMS" succeeded to "Hell Row". Hell Row was a block of thatched, bulging cottages that stood by the brookside on Greenhill Lane. There lived the colliers who worked in the little gin-pits two fields away. The brook ran under the alder trees, scarcely soiled by these small mines, whose coal was drawn to the surface by donkeys that... more...

There wasn’t anything underneath but clouds, and there wasn’t anything overhead but sky. Joe Kenmore looked out the plane window past the co-pilot’s shoulder. He stared ahead to where the sky and cloud bank joined—it was many miles away—and tried to picture the job before him. Back in the cargo space of the plane there were four big crates. They contained the pilot gyros for the most... more...