CHAPTER I. THE APPARATUS. To a proper comprehension of the succeeding chapters, it is necessary first of all to be familiar with the apparatus employed in carrying out electro-balneological treatment, and I therefore proceed to give a description of this. It may conveniently be divided as follows, viz. a. The tub; b. The electrodes and connections; c. The water; d. Chemicals; e. The batteries. (a) The... more...

Introductory. The meditation on human life—on the contrast between what is, and what might be, on supposing a general concurrence to make the best of things-yields emotions both painful and pleasing;—painful for the demonstrations every where presented, of a love of darkness, rather than light; pleasing, that the worst evils are seen to be so remediable; and so clear the proofs of a gradual, but... more...

Towards the close of the First French Revolution, Joseph Leopold SigisbertHugo, son of a joiner at Nancy, and an officer risen from the ranks in theRepublican army, married Sophie Trébuchet, daughter of a Nantes fitter-outof privateers, a Vendean royalist and devotee. Victor Marie Hugo, their second son, was born on the 26th of February, 1802, at Besançon, France. Though a weakling, he was carried,... more...

CHAPTER I. THE KING OF THE YEGGMEN. Four men were seated around a camp fire made of old railroad ties, over which a kettle was boiling merrily, where it hung from an improvised crane above the blaze. Around, on the ground, were scattered a various assortment of tin cans, some of which had been hammered more or less straight to serve for plates, and it was evident from the general appearance of things... more...

CHAPTER I BIBLICAL OPERAS Whether or not the English owe a grudge to their Lord Chamberlain for depriving them of the pleasure of seeing operas based on Biblical stories I do not know. If they do, the grudge cannot be a deep one, for it is a long time since Biblical operas were in vogue, and in the case of the very few survivals it has been easy to solve the difficulty and salve the conscience of the... more...

CHAPTER I — FRANCE IN THE FIFTEENTH CENTURY. 1412-1423. It is no small effort for the mind, even of the most well-informed, how much more of those whose exact knowledge is not great (which is the case with most readers, and alas! with most writers also), to transport itself out of this nineteenth century which we know so thoroughly, and which has trained us in all our present habits and modes of... more...

"It's a dead world," Thompson spoke. There was awe in his voice, and in spite of his sure knowledge that nothing could happen to him or to his crew here on this world, there was also somewhere inside of him the trace of a beginning fear. Standing beside him on the rooftop of the building, Kurkil spoke in a whisper, asking a question that had been better unasked. "What killed it?"... more...

The most robust and masculine of recent French novelists is a typical Norman, sprung from an ancient noble family, originally of Lorraine, but long settled in the Pays de Caux. The traveler from England towards Paris, soon after leaving Dieppe, sees on his left hand, immediately beyond the station of St. Aubin, a handsome sixteenth-century house, the Château de Miromesnil, on a hill above the railway.... more...

The Castle of the Shadows WHERE DREAMLAND BEGAN According to the calendar it was winter; but between Mentone and the frontier town of Ventimiglia, on the white road inlaid like a strip of ivory on dark rocks above the sapphire of the Mediterranean, it was fierce summer in the sunshine. A girl riding between two men, reined in her chestnut mare at a cross-road which led into the jade-green twilight of... more...

The Captain peered into the eyepiece of the telescope. He adjusted the focus quickly. "It was an atomic fission we saw, all right," he said presently. He sighed and pushed the eyepiece away. "Any of you who wants to look may do so. But it's not a pretty sight." "Let me look," Tance the archeologist said. He bent down to look, squinting. "Good Lord!" He leaped... more...