The Heir of Redclyffe

Excerpt

CHAPTER 1

The drawing-room of Hollywell House was one of the favoured apartments, where a peculiar air of home seems to reside, whether seen in the middle of summer, all its large windows open to the garden, or, as when our story commences, its bright fire and stands of fragrant green-house plants contrasted with the wintry fog and leafless trees of November. There were two persons in the room—a young lady, who sat drawing at the round table, and a youth, lying on a couch near the fire, surrounded with books and newspapers, and a pair of crutches near him. Both looked up with a smile of welcome at the entrance of a tall, fine-looking young man, whom each greeted with 'Good morning, Philip.'

'Good morning, Laura. Good morning, Charles; I am glad you are downstairs again! How are you to-day?'

'No way remarkable, thank you,' was the answer, somewhat wearily given by Charles.

'You walked?' said Laura.

'Yes. Where's my uncle? I called at the post-office, and brought a letter for him. It has the Moorworth post-mark,' he added, producing it.

'Where's that?' said Charles.

'The post-town to Redclyffe; Sir Guy Morville's place.'

'That old Sir Guy! What can he have to do with my father?'

'Did you not know,' said Philip, 'that my uncle is to be guardian to the boy—his grandson?'

'Eh? No, I did not.'

'Yes,' said Philip; 'when old Sir Guy made it an especial point that my father should take the guardianship, he only consented on condition that my uncle should be joined with him; so now my uncle is alone in the trust, and I cannot help thinking something must have happened at Redclyffe. It is certainly not Sir Guy's writing.'

'It must wait, unless your curiosity will carry you out in search of papa,' said Charles; 'he is somewhere about, zealously supplying the place of Jenkins.'

'Really, Philip,' said Laura, 'there is no telling how much good you have done him by convincing him of Jenkins' dishonesty. To say nothing of the benefit of being no longer cheated, the pleasure of having to overlook the farming is untold.'

Philip smiled, and came to the table where she was drawing. 'Do you know this place?' said she, looking up in his face.

'Stylehurst itself! What is it taken from?'

'From this pencil sketch of your sister's, which I found in mamma's scrap book.'

'You are making it very like, only the spire is too slender, and that tree—can't you alter the foliage?—it is an ash.'

'Is it? I took it for an elm.'

'And surely those trees in the foreground should be greener, to throw back the middle distance. That is the peak of South Moor exactly, if it looked further off.'

She began the alterations, while Philip stood watching her progress, a shade of melancholy gathering on his face. Suddenly, a voice called 'Laura! Are you there? Open the door, and you will see.'

On Philip's opening it, in came a tall camellia; the laughing face, and light, shining curls of the bearer peeping through the dark green leaves....