All day Sunday they had raised the devil from attic to cellar; Mrs. Farren was in tears, Howker desperate. Not one out of the fifteen servants considered necessary to embellish the Seagrave establishment could do anything with them after Kathleen Severn's sudden departure the week before. When the telegram announcing her mother's sudden illness summoned young Mrs. Severn to Staten Island, every servant in the household understood that serious... more...

SCENE I. THIBAUT D'ARC. His Three Daughters. Three young Shepherds,their Suitors.THIBAUT.Ay, my good neighbors! we at least to-dayAre Frenchmen still, free citizens and lordsOf the old soil which our forefathers tilled.Who knows whom we to-morrow must obey?For England her triumphal banner wavesFrom every wall: the blooming fields of FranceAre trampled down beneath her chargers' hoofs;Paris hath yielded to her conquering arms,And with the ancient... more...

Towards the end of November, during a thaw, at nine o'clock one morning, a train on the Warsaw and Petersburg railway was approaching the latter city at full speed. The morning was so damp and misty that it was only with great difficulty that the day succeeded in breaking; and it was impossible to distinguish anything more than a few yards away from the carriage windows. Some of the passengers by this particular train were returning from abroad;... more...

MONKSHAVEN On the north-eastern shores of England there is a town called Monkshaven, containing at the present day about fifteen thousand inhabitants. There were, however, but half the number at the end of the last century, and it was at that period that the events narrated in the following pages occurred. Monkshaven was a name not unknown in the history of England, and traditions of its having been the landing-place of a throneless queen were... more...

THE CUSTOM-HOUSE. INTRODUCTORY TO “THE SCARLET LETTER.”   t is a little remarkable, that—though disinclined to talk overmuch of myself and my affairs at the fireside, and to my personal friends—an autobiographical impulse should twice in my life have taken possession of me, in addressing the public. The first time was three or four years since, when I favored the reader—inexcusably, and for no earthly reason,... more...

PROLOGUE ECHOES OF YESTERDAY His Excellency's system of intelligence in the City of New York I never pretended to comprehend. That I was one of many agents I could have no doubt; yet as long as I remained there I never knew but three or four established spies with residence in town. Although I had no illusions concerning Mr. Gaine and his "Gazette," at intervals I violently suspected Mr. Rivington of friendliness to us, and this in spite of his... more...

CHAPTER 1 "Mine ear is open, and my heart prepared:The worst is wordly loss thou canst unfold:—Say, is my kingdom lost?"—Shakespeare It was a feature peculiar to the colonial wars of North America, that the toils and dangers of the wilderness were to be encountered before the adverse hosts could meet. A wide and apparently an impervious boundary of forests severed the possessions of the hostile provinces of France and England. The... more...

CHAPTER I. All the efforts of several hundred thousand people, crowded in a small space, to disfigure the land on which they lived; all the stone they covered it with to keep it barren; how so diligently every sprouting blade of grass was removed; all the smoke of coal and naphtha; all the cutting down of trees and driving off of cattle could not shut out the spring, even from the city. The sun was shedding its light; the grass, revivified, was... more...

CHAPTER I THE SISTERS 'She was right faire and fresh as morning rose,But somewhat sad and solemne eke in sight,As if some pensive thought constrained her gentle spright.'Spenser. 1581.—'There is time yet ere sunset; let me, I pray you, go down to the lych gate with the wheaten cake for Goody Salter.' 'Nay, Lucy; methinks there are reasons for your desire to go down to the village weightier than the wheaten cake you would fain... more...

INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. L'Illustre Gaudissart is a story of 1832, the very heyday of Balzac's creative period, when even his pen could hardly keep up with the abundance of his fancy and the... more...