But besides this, it was well known that the current grammarians, and the critical philologists, had long ceased to write alike upon the English, or indeed upon any other, language. For this reason the sphere of the work became enlarged; so that, on many occasions, general principles had to be enounced, fresh terms to be defined, and old classifications to be remodelled. This introduced extraneous elements of criticism, and points of discussion... more...

"If you will allow me, I shall have the pleasure of reading aloud to you some passages from 'Mrs. Lirriper's Lodgings,' by Charles Dickens. I do not know much about the book myself, as I have never read it. I dare say that you know more about it than I do; but I am given to understand" (with a glance at the page before him) "that Mrs. Lirriper was a lodging-house-keeper, that she kept lodgings in London. She was a very good sort of woman, I... more...

How the whole of us marched towards Tezcuco, and what happened to us on our way there. When Cortes found himself so well provided again with muskets, powder, crossbows, and horses, and observed how impatient the whole of us, officers as well as soldiers, were to commence the siege of the great city of Mexico, he desired the caziques of Tlascalla to furnish him with 10,000 of their troops to join us in the campaign of Tezcuco, as this was one... more...

CHAPTER I. OF THE OBJECT-MATTER AND PARTITION OF MORAL PHILOSOPHY. 1. Moral Philosophy is the science of human acts in their bearing on human happiness and human duty. 2. Those acts alone are properly called human, which a man is master of to do or not to do. A human act, then, is an act voluntary and free. A man is what his human acts make him. 3. A voluntary act is an act that proceeds from the will with a knowledge of the end to which the... more...

MRS. SOMERS; MR. WILLIS CAMPBELL MRS. Amy Somers, in a lightly floating tea-gown of singularly becoming texture and color, employs the last moments of expectance before the arrival of her guests in marching up and down in front of the mirror which fills the space between the long windows of her drawing-room, looking over either shoulder for different effects of the drifting and eddying train, and advancing upon her image with certain little bobs... more...

SCHOOL I Life seemed to Martin Leigh, as he gazed at the wooden walls of his cubicle, very overwhelming: there were so many things to remember. He had lived through his first day as a boarder at a public school and at length he had the great joy of knowing that for nine hours there would be nothing to find out. He seemed to have been finding things out ever since seven o'clock that morning: finding out his form and his form master, his desk... more...

INTRODUCTION "A work of art is first cloudily conceived in the mind; during the period of gestation it stands more clearly forward from these swaddling mists, puts on expressive lineaments, and becomes at length that most faultless, but also, alas! that incommunicable product of the human mind, a perfected design. On the approach to execution all is changed. The artist must now step down, don his working clothes, and become the artisan. He... more...

INTRODUCTION The use of abbreviations is as old as the use of alphabets. In inscriptions and on coins and in other places where room is limited they have always been used in order to save space. The words GUILIELMUS QUARTUS DEI GRATIA REX BRITANNIARUM FIDEI DEFENSOR would hardly go around the circumference of a sixpence, three quarters of an inch in diameter. Therefore, we find them written GUILIELMUS IIII D: G: BRITANNIAR: REX F: D: In the... more...

CHAPTER I GENERAL OBSERVATIONS There is a false implication in the saying that "a poor workman blames his tools." It is not true that a good workman can do good work with bad tools. On the contrary, the good workman sees to it that he has good tools, and makes it a part of his good workmanship that they are in good condition. In painting there is nothing that will cause you more trouble than bad materials. You can get along with few materials,... more...

I Of Mary Wollstonecraft’s ancestors little is known, except that they were of Irish descent. Her father, Edward John Wollstonecraft, was the son of a prosperous Spitalfields manufacturer of Irish birth, from whom he inherited the sum of ten thousand pounds. He married towards the middle of the eighteenth century Elizabeth Dixon, the daughter of a gentleman in good position, of Ballyshannon, by whom he had six children: Edward, Mary, Everina,... more...