THE ALMS-HOUSE. For the purpose of preventing an inconvenient rush of literary tuft-hunters and sight-seers thither next summer, a fictitious name must be bestowed upon the town of the Ritualistic church. Let it stand in these pages as Bumsteadville. Possibly it was not known to the Romans, the Saxons, nor the Normans by that name, if by any name at all; but a name more or less weird and full of damp... more...

HIGH NOTES BY OUR MUSICAL CRITIC. PUNCHINELLO'S critic, always the friend of fair-play, resents the insinuation that Mr. CARL ROSA has been a careless director of Opera. The truth is that Mr. ROSA has not produced the smallest work without a great deal of Preparation. FLOTOW'S Shadow is to be brought out in London. It will not stand the ghost of a chance unless well mounted. Music light and... more...

CHAPTER I. DAWNATION. A modern American Ritualistic Spire! How can the modern American Ritualistic Spire be here! The well-known tapering brown Spire, like a closed umbrella on end? How can that be here? There is no rusty rim of a shocking bad hat between the eye and that Spire in the real prospect. What is the rusty rim that now intervenes, and confuses the vision of at least one eye? It must be an... more...

THE DELIGHTS OF DOUGHERTY. At the Banquet of the Army of the Potomac in Philadelphia, Mr. DANIEL DOUGHERTY made one of the most extraordinary speeches on record, if we except certain forensic efforts of Mr. PUNCHINELLO delivered during the earlier stages of his career from his box. Mr. DOUGHERTY is a Soarer, and a Spreader, and a Screamer. Speaking metaphorically, be goes higher, measures more from the... more...

Booth's Theatre has become famous as the place where Mr. MOLLENHAUER nightly leads his admirable orchestra, and plays with exquisite skill and infinite tenderness his unrivalled violin solos. Since this theatre opened, there have been several attempts to add dramatic entertainments to the attractive concerts given by Mr. MOLLENHAUER. Two great actors, Mr. JEFFERSON and Mr. BOOTH, have at different... more...

This nice little French drama has now been running at the FIFTH AVENUE THEATRE more than seven weeks. It is the story of a man who killed the seducer of his wife, and then forgave and received back again the guilty woman. The same tragic farce was played in Washington some eleven years ago. The actor who played the part of the outraged husband made an effective hit at the time, but he has never... more...

THE WARNING OF THE BELLE LOOK OUT FOR THE TRAIN. PATRIOTIC ADORATION. A TALE OF PHILADELPHIA.People of the Quaker City,How the world must stand aghastAt your wondrous venerationFor those relics of the past,Kept in such precise condition,Fostered with such tender care—Don't, oh! don't the PhiladelphiansLove old Independence Square? Splendid are its walks and grass-plotsWhere the... more...

THE UMBRELLA. A VIEW OF THE SHADY SIDE OF LIFE. A ripe pippin falling upon the head of Sir ISAAC NEWTON (a clear case of hard cider on the brain) suggested the laws of gravitation. An elderly countryman passing my window this clear bright day, attended by his faithful umbrella, suggested the following reflections. The term Umbrella comes from the Latin umbra, a shade—the whole signifying "keep... more...

BALKS IN A BRUSH. FLORA, having no relations in the world that she knew of, had, ever since her seventh new bonnet, known no other home than Macassar Female College, in the Alms-House, and regarded Miss CAROWTHERS as her mother-in-lore. Her memory of her own mother was of a lady-like person who had swiftly waisted away in the effort to be always taken for her own daughter, and was, one day, brought... more...

THE PLAYS AND SHOWS. BATHOS and pathos are closely allied in sound as well as in sense. Mr. FECHTER evidently regards them as completely identical; and in his acting, as in his pronunciation, uniformly prefers the former to the latter. He has recently exemplified this by his personation of CLAUDE MELNOTTE, in that most tawdry specimen of the cotton-velvet drama, the LADY OF LYONS. This melancholy event... more...