INTRODUCTION. Though some of the essays in this volume have appeared in various serials, the majority of them were written expressly for their present purpose, and they are now arranged in a designed order.  During some years of study of Greek, Indian, and savage mythologies, I have become more and more impressed with a sense of the inadequacy of the prevalent method of comparative mythology.  That... more...

PREFACE. Since the first publication of Cock Lane and Common-Sense in 1894, nothing has occurred to alter greatly the author’s opinions.  He has tried to make the Folklore Society see that such things as modern reports of wraiths, ghosts, ‘fire-walking,’ ‘corpse-lights,’ ‘crystal-gazing,’ and so on, are within their province, and within the province of anthropology.  In this attempt he... more...

INTRODUCTION It may well be doubted whether works of controversy serve any useful purpose.  ‘On an opponent,’ as Mr. Matthew Arnold said, ‘one never does make any impression,’ though one may hope that controversy sometimes illuminates a topic in the eyes of impartial readers.  The pages which follow cannot but seem wandering and desultory, for they are a reply to a book, Mr. Max Müller’s... more...

The Cat's Elopement [From the Japanische Marchen und Sagen, von David Brauns (Leipzig: Wilhelm Friedrich).] Once upon a time there lived a cat of marvellous beauty, with a skin as soft and shining as silk, and wise green eyes, that could see even in the dark. His name was Gon, and he belonged to a music teacher, who was so fond and proud of him that he would not have parted with him for anything... more...

PREFACE In Homer and the Epic, ten or twelve years ago, I examined the literary objections to Homeric unity. These objections are chiefly based on alleged discrepancies in the narrative, of which no one poet, it is supposed, could have been guilty. The critics repose, I venture to think, mainly on a fallacy. We may style it the fallacy of "the analytical reader." The poet is expected to satisfy... more...

PREFACE The Editor thinks that children will readily forgive him for publishing another Fairy Book. We have had the Blue, the Red, the Green, and here is the Yellow. If children are pleased, and they are so kind as to say that they are pleased, the Editor does not care very much for what other people may say. Now, there is one gentleman who seems to think that it is not quite right to print so many... more...

Preface 'What cases are you engaged in at present?' 'Are you stopping many teeth just now?' 'What people have you converted lately?' Do ladies put these questions to the men—lawyers, dentists, clergymen, and so forth—who happen to sit next them at dinner parties? I do not know whether ladies thus indicate their interest in the occupations of their casual neighbours at... more...

Preface Each Fairy Book demands a preface from the Editor, and these introductions are inevitably both monotonous and unavailing. A sense of literary honesty compels the Editor to keep repeating that he is the Editor, and not the author of the Fairy Tales, just as a distinguished man of science is only the Editor, not the Author of Nature. Like nature, popular tales are too vast to be the creation of a... more...

Donkey Skin There was once upon a time a king who was so much beloved by his subjects that he thought himself the happiest monarch in the whole world, and he had everything his heart could desire. His palace was filled with the rarest of curiosities, and his gardens with the sweetest flowers, while in the marble stalls of his stables stood a row of milk-white Arabs, with big brown eyes. Strangers who... more...

THE TWELVE DANCING PRINCESSES I ONCE upon a time there lived in the village of Montignies-sur-Roc a little cow-boy, without either father or mother. His real name was Michael, but he was always called the Star Gazer, because when he drove his cows over the commons to seek for pasture, he went along with his head in the air, gaping at nothing. As he had a white skin, blue eyes, and hair that curled all... more...