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by:
Andrew Lang
Donkey Skin There was once upon a time a king who was so much beloved by his subjects that he thought himself the happiest monarch in the whole world, and he had everything his heart could desire. His palace was filled with the rarest of curiosities, and his gardens with the sweetest flowers, while in the marble stalls of his stables stood a row of milk-white Arabs, with big brown eyes. Strangers who...
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Andrew Lang
PREFACE. Since the first publication of Cock Lane and Common-Sense in 1894, nothing has occurred to alter greatly the author’s opinions. He has tried to make the Folklore Society see that such things as modern reports of wraiths, ghosts, ‘fire-walking,’ ‘corpse-lights,’ ‘crystal-gazing,’ and so on, are within their province, and within the province of anthropology. In this attempt he...
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Andrew Lang
TO CHILDREN. The Author of this book is also the Editor of the Blue, Red, Greenland Yellow Fairy Books. He has always felt rather an impostor, because so many children seem to think that he made up these books out of his own head. Now he only picked up a great many old fairy tales, told in French, German, Greek, Chinese, Red Indian, Russian, and other languages, and had them translated and printed,...
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by:
Andrew Lang
CHAPTER I THE ELEMENTS OF DISCORD: NATIVE The story I have to tell is still going on as I write; the characters are alive and active; it is a piece of contemporary history in the most exact sense. And yet, for all its actuality and the part played in it by mails and telegraphs and iron war-ships, the ideas and the manners of the native actors date back before the Roman Empire. They are Christians,...
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by:
Andrew Lang
EDITOR'S INTRODUCTION. As I sat, one evening, idly musing on memories of roers and Boers, and contemplating the horns of a weendigo I had shot in Labrador and the head of a Moo Cow from Canada, I was roused by a ring at the door bell. A literary friend to whom I have shown your MS. says a weendigo is Ojibbeway for a cannibal. And why do you shoot poor Moo Cows?—Publisher. Mere slip of the pen....
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by:
Andrew Lang
INTRODUCTION The extreme rarity of The Death-Wake is a reason for its republication, which may or may not be approved of by collectors. Of the original edition the Author says that more than seventy copies were sold in the first week of publication, but thereafter the publisher failed in business. Mr. Stoddart recovered the sheets of his poem, and his cook gradually, and perhaps not injudiciously,...
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Andrew Lang
THE TWELVE DANCING PRINCESSES I ONCE upon a time there lived in the village of Montignies-sur-Roc a little cow-boy, without either father or mother. His real name was Michael, but he was always called the Star Gazer, because when he drove his cows over the commons to seek for pasture, he went along with his head in the air, gaping at nothing. As he had a white skin, blue eyes, and hair that curled all...
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by:
Andrew Lang
The Cat's Elopement [From the Japanische Marchen und Sagen, von David Brauns (Leipzig: Wilhelm Friedrich).] Once upon a time there lived a cat of marvellous beauty, with a skin as soft and shining as silk, and wise green eyes, that could see even in the dark. His name was Gon, and he belonged to a music teacher, who was so fond and proud of him that he would not have parted with him for anything...
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by:
Andrew Lang
ACT I TABLEAU I The Double Life The Stage represents a room in the Deacon’s house, furnished partly as a sitting-, partly as a bed-room, in the style of an easy burgess of about 1780. C., a door; L.C., second and smaller door; R.C., practicable window; L., alcove, supposed to contain bed; at the back, a clothes-press and a corner cupboard containing bottles, etc. Mary Brodie at needlework; Old...
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by:
Andrew Lang
PREFACE In Homer and the Epic, ten or twelve years ago, I examined the literary objections to Homeric unity. These objections are chiefly based on alleged discrepancies in the narrative, of which no one poet, it is supposed, could have been guilty. The critics repose, I venture to think, mainly on a fallacy. We may style it the fallacy of "the analytical reader." The poet is expected to satisfy...
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