PETER MOTTEAUX, A French gentleman, born and educated at Rohan, in Normandy. He came over into England, was a considerable trader, and resided here many years. He is said to have possessed no inconsiderable share of wit, and humour; and, besides a translation of Don Quixote, several Songs, Prologues and Epilogues, together with a Poem on Tea, dedicated to the Spectator, (see Vol. VII. Numb. 552) he is... more...

BOOK I A MISCELLANY I - LA MARE DES FEES The leaves rain down upon the forest pond,An elfin tarn green-shadowed in the fern;Nine yews ensomber the wet bank, beyondThe autumn branches of the beeches burnWith yellow flame and red amid the green,And patches of the darkening sky between. This is an ancient country; in this woodThe Druids raised their sacrificial stones;Here the vast timeless silences still... more...

I. A GENERAL VIEW By the Rev. V. H. Stanton, D.D. The governing idea of this early morning course, which at the present as at former Summer Meetings is devoted to a subject connected with religious belief, is this year the power that Christianity has, or is fitted to have, to unite Christian denominations with one another, and also to unite races and nations, and different portions of that commonwealth... more...

"WEEP NO MORE, MY LADY" A young woman was crying bitterly in the waiting-room of the railway station at Upper Asquewan Falls, New York. A beautiful young woman? That is exactly what Billy Magee wanted to know as, closing the waiting-room door behind him, he stood staring just inside. Were the features against which that frail bit of cambric was agonizingly pressed of a pleasing contour? The... more...

INTRODUCTION Among the many didactic books which flooded England in the sixteenth and seventeenth centuries were certain essays on travel. Some of these have never been brought to light since their publication more than three hundred years ago, or been mentioned by the few writers who have interested themselves in the literature of this subject. In the collections of voyages and explorations, so often... more...

WHY I DON'T WRITE PLAYS. (From the Common-place Book of a Novelist.) Because it is so much pleasanter to read one's work than to hear it on the Stage. Because Publishers are far more amiable to deal with than Actor-Managers. Because "behind the scenes" is such a disappointing place—except in Novels. Because why waste three weeks on writing a Play, when it takes only three years to... more...

There were four men in the lifeboat that came down from the space-cruiser. Three of them were still in the uniform of the Galactic Guards. The fourth sat in the prow of the small craft looking down at their goal, hunched and silent, bundled up in a greatcoat against the coolness of space—a greatcoat which he would never need again after this morning. The brim of his hat was pulled down far over his... more...

CHAPTER I. MRS. HAMILTON. For many years the broad, rich acres, and old-fashioned, massive building known as "The Homestead on the Hillside," had passed successively from father to son, until at last it belonged by right of inheritance to Ernest Hamilton. Neither time nor expense had been spared in beautifying and embellishing both house and grounds, and at the time of which we are speaking... more...

HENRY ESMOND [Illustration: HENRY ESMOND AND THE CASTLEWOODS.] When Francis, fourth Viscount Castlewood, came to his title, and, presently after, to take possession of his house of Castlewood, County Hants, in the year 1691, almost the only tenant of the place besides the domestics was a lad of twelve years of age, of whom no one seemed to take any note until my Lady Viscountess lighted upon him, going... more...

A Story of Some Maples This is not a botanical disquisition; it is not a complete account of all the members of the important tree family of maples. I am not a botanist, nor a true scientific observer, but only a plain tree-lover, and I have been watching some trees bloom and bud and grow and fruit for a few years, using a camera now and then to record what I see—and much more than I see, usually! In... more...