CHAPTER I THE battle was over, and the victor remained on the field—sitting alone with the hurly-burly of his thoughts. His triumph was so sweeping and comprehensive as to be somewhat shapeless to the view. He had a sense of fascinated pain when he tried to define to himself what its limits would probably be. Vistas of unchecked, expanding conquest stretched away in every direction. He held at his... more...

CHAPTER I INTRODUCING THE ROVER BOYS "Hurrah, Sam, it is settled at last that we are to go to boarding school!" "Are you certain, Tom? Don't let me raise any false hopes." "Yes, I am certain, for I heard Uncle Randolph tell Aunt Martha that he wouldn't keep us in the house another week. He said he would rather put up with the Central Park menagerie—think of that!"... more...

The Problem of a Preface A peculiar difficulty arrests the writer of this rough study at the very start. Many people know Mr. Bernard Shaw chiefly as a man who would write a very long preface even to a very short play. And there is truth in the idea; he is indeed a very prefatory sort of person. He always gives the explanation before the incident; but so, for the matter of that, does the Gospel of St.... more...

CHAPTER I. MONTE-CRISTO AND THE PRIMA DONNA. The Count of Monte-Cristo was in Rome. He had hired one of the numerous private palaces, the Palazzo Costi, situated on a broad thoroughfare near the point where the Ponte St. Angelo connects Rome proper with that transtiberine suburb known as the Leonine City or Trastavere. The impecunious Roman nobility were ever ready to let their palaces to titled... more...

01 My Early Home The first place that I can well remember was a large pleasant meadow with a pond of clear water in it. Some shady trees leaned over it, and rushes and water-lilies grew at the deep end. Over the hedge on one side we looked into a plowed field, and on the other we looked over a gate at our master's house, which stood by the roadside; at the top of the meadow was a grove of fir... more...

SCENE I It is six o'clock of a November evening, in KEITH DARRANT'S study. A large, dark-curtained room where the light from a single reading-lamp falling on Turkey carpet, on books beside a large armchair, on the deep blue-and-gold coffee service, makes a sort of oasis before a log fire. In red Turkish slippers and an old brown velvet coat, KEITH DARRANT sits asleep. He has a dark,... more...

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The authors of this volume, while they sympathize with every honest effort to relieve the disabilities and sufferings of their sex, are confident that the chief cause of these evils is the fact that the honor and duties of the family state are not duly appreciated, that women are not trained for these duties as men are trained for their trades and professions, and that, as the consequence, family labor... more...

THE COTTON BLOSSOM The cotton blossom is the only flower that is born in the shuttle of a sunbeam and dies in a loom. It is the most beautiful flower that grows, and needs only to become rare to be priceless—only to die to be idealized. For the world worships that which it hopes to attain, and our ideals are those things just out of our reach. Satiety has ten points and possession is nine of them.... more...

INTRODUCTION. Fielding's third great novel has been the subject of much more discordant judgments than either of its forerunners. If we take the period since its appearance as covering four generations, we find the greatest authority in the earliest, Johnson, speaking of it with something more nearly approaching to enthusiasm than he allowed himself in reference to any other work of an author, to... more...