INTRODUCTION[2][3] After seeing a ballet, a farce, and the fragment of an opera performed by the marionettes at the Costanzi Theatre in Rome, I am inclined to ask myself why we require the intervention of any less perfect medium between the meaning of a piece, as the author conceived it, and that other meaning which it derives from our reception of it. The living actor, even when he condescends to... more...

"What do you make of it?" Commander Jed Hargraves asked huskily.Two planets circling Vega! But a more amazing discovery waited the explorers when they landed!Ron Val, busy at the telescope, was too excited to look up from the eye-piece. "There are at least two planets circling Vega!" he said quickly. "There may be other planets farther out, but I can see two plainly. And Jed, the... more...

This is one of the three plays which Strindberg placed at the head of his dramatic production during the middle ultra-naturalistic period, the other two being "The Father" and "Miss Julia." It is, in many ways, one of the strongest he ever produced. Its rarely excelled unity of construction, its tremendous dramatic tension, and its wonderful psychological analysis combine to make it a... more...

PREFACE Believing plays to be solely for the stage, I have never before allowed any of mine to be printed until they had first faced from a stage the judgment of an audience, to see if they were entitled to be called plays at all. A successful production also has been sometimes a moral support to me when some critic has said, as for instance of "A Night at an Inn," that though it reads passably... more...

PREFACE America since the days of Captain John Smith has been the land of hope for multitudes in Europe. In many an humble home, perhaps in some English village, or an Ulster farm, or in the Rhine valley, one might find a family assembled for the reading of a letter from son, or brother, or friend, who had made the great venture of going to the New World. "Land is abundant here and cheap," the... more...

GENERAL ADVICE The United States is divided geographically into military departments with a general officer commanding each department. The departments and their headquarters are as follows: (1) The Northeastern Department, with headquarters at Boston, Massachusetts. (2) The Eastern Department, with headquarters at Governors Island, New York. (3) The Southeastern Department, with Headquarters at... more...

CHAPTER I MISTRESS AND AGENT The lady of Thorpe was bored. These details as to leases and repairs were wearisome. The phrases and verbiage confused her. She felt obliged to take them in some measure for granted; to accept without question the calmly offered advice of the man who stood so respectfully at the right hand of her chair. “This agreement with Philip Crooks,” he remarked, “is a somewhat... more...

ACT I SCENE I The study of JOHN BUILDER in the provincial town of Breconridge. A panelled room wherein nothing is ever studied, except perhaps BUILDER'S face in the mirror over the fireplace. It is, however, comfortable, and has large leather chairs and a writing table in the centre, on which is a typewriter, and many papers. At the back is a large window with French outside shutters, overlooking... more...

Act I Time: About the time of the decadence in Babylon. Scene: The jungle city of Thek in the reign of King Karnos. Tharmia: You know that my lineage is almost divine. Arolind: My father's sword was so terrible that he had to hide it with a cloak. Tharmia: He probably did that because there were no jewels in the scabbard. Arolind: There were emeralds in it that outstared the sea. * * * * * * * *... more...

TRIFLES First performed by the Provincetown Players at the Wharf Theatre, Provincetown, Mass., August 8, 1916.   GEORGE HENDERSON (County Attorney) HENRY PETERS (Sheriff) LEWIS HALE, A neighboring farmer MRS PETERS MRS HALE   SCENE: The kitchen is the now abandoned farmhouse of JOHN WRIGHT, a gloomy kitchen, and left without having been put in order—unwashed pans under the sink, a loaf of bread... more...