FANFARO'S ADVENTURES Spero, the son of Monte-Cristo, was peacefully sleeping in another room, while, gathered around the table in the dining-room of Fanfaro's house, were Monte-Cristo, Miss Clary, Madame Caraman, Coucou, and Albert de Morcerf, ready to listen to the story of Fanfaro's adventures, which, as narrated at the close of the preceding volume, he was about to begin. The... more...

CHAPTER I TROUBLE FROM NEAR AND FAR At the corner of High Street, where the lane led back to the stables of the Lake View Inn, Janice Day stopped suddenly, startled by an eruption of sound from around an elbow of the lane—a volley of voices, cat-calls, and ear-splitting whistles which shattered Polktown's usual afternoon somnolence. One youthful imitator expelled a laugh like the bleating of a... more...

The Last of a Schoolboy. Edwin Clayhanger stood on the steep-sloping, red-bricked canal bridge, in the valley between Bursley and its suburb Hillport. In that neighbourhood the Knype and Mersey canal formed the western boundary of the industrialism of the Five Towns. To the east rose pitheads, chimneys, and kilns, tier above tier, dim in their own mists. To the west, Hillport Fields, grimed but... more...

CHAPTER I Some years ago a book was published under the title of "The Pilgrim's Scrip." It consisted of a selection of original aphorisms by an anonymous gentleman, who in this bashful manner gave a bruised heart to the world. He made no pretension to novelty. "Our new thoughts have thrilled dead bosoms," he wrote; by which avowal it may be seen that youth had manifestly gone from... more...

Chapter One Anton Von Barwig rapped on the conductor's desk for silence and laid down his baton. The hundred men constituting the Leipsic Philharmonic Orchestra stopped playing as if by magic, and those who looked up from their music saw in their leader's face, for the first time in their three years' experience under his direction, a pained expression of helplessness. "Either I... more...

CHAPTER I. Philip Ogilvie and his pretty wife were quarrelling, as their custom was, in the drawing-room of the great house in Belgrave Square, but the Angel in the nursery upstairs knew nothing at all about that. She was eight years old, and was, at that critical moment when her father and mother were having words which might embitter all their lives, and perhaps sever them for ever, unconsciously and... more...

ACT I SCENE—"Johnny-The-Priest's" saloon near South Street, New York City. The stage is divided into two sections, showing a small back room on the right. On the left, forward, of the barroom, a large window looking out on the street. Beyond it, the main entrance—a double swinging door. Farther back, another window. The bar runs from left to right nearly the whole length of the rear... more...

THE MASTER OF ST. HOSPITAL. 'As poor, yet making many rich; as having nothing, and yet possessing all things…' The Honourable and Reverend Eustace John Wriothesley Blanchminster, D.D., Master of St. Hospital-by-Merton, sat in the oriel of his library revising his Trinity Gaudy Sermon. He took pains with these annual sermons, having a quick and fastidious sense of literary style. "It... more...

ACT I It is after dinner on a January night, in the library in Lady Britomart Undershaft's house in Wilton Crescent. A large and comfortable settee is in the middle of the room, upholstered in dark leather. A person sitting on it [it is vacant at present] would have, on his right, Lady Britomart's writing table, with the lady herself busy at it; a smaller writing table behind him on his left;... more...

INTRODUCTION Of all the novels and stories which Mary Wollstonecraft Shelley left in manuscript, only one novelette, Mathilda, is complete. It exists in both rough draft and final copy. In this story, as in all Mary Shelley's writing, there is much that is autobiographical: it would be hard to find a more self-revealing work. For an understanding of Mary's character, especially as she saw... more...