VOICES OF THE NIGHT <Greek poem here—Euripides.> PRELUDE. Pleasant it was, when woods were green,  And winds were soft and low,To lie amid some sylvan scene.Where, the long drooping boughs between,Shadows dark and sunlight sheen  Alternate come and go; Or where the denser grove receives  No sunlight from above,But the dark foliage interweavesIn one unbroken roof of leaves,Underneath whose... more...

THE MERMAID OF ZENNOR Carved on one of the pews in the church of Zennor in West Cornwall is a strange figure of a mermaid. Depicted with flowing hair, a mirror in one hand and a comb in the other, the Zennor folk tell a strange story about her. Years and years ago, they say, a beautiful and richly dressed lady used to attend the church sometimes. Nobody knew where she came from, although her unusual... more...

"There is nothing that makes men rich and strong but that which they carry inside of them. Wealth is of the heart, not of the hand."—John Milton. "Until we know why the rose is sweet or the dew drop pure, or the rainbow beautiful, we cannot know why the poet is the best benefactor of society. The soldier fights for his native land, but the poet touches that land with the charm that makes... more...

CHAPTER FIRST. THE LANDSCAPE OF THE STORY. I see old Sylvester Peabody—the head of the Peabody family—seated in the porch of his country dwelling, like an ancient patriarch, in the calm of the morning. His broad-brimmed hat lies on the bench at his side, and his venerable white locks flow down his shoulders, which time in one hundred seasons of battle and sorrow, of harvest and drouth, of toil and... more...

His Early Years To Italy, at whose liberal well-head English Art has so often renewed itself, we turn naturally for an opening to this chronicle of a great English artist's career. Frederic Leighton was the painter of our time who strove hardest to keep alive an Italian ideal of beauty in London; therefore it is in Italy, the Italy of Raphael and Angelo and his favourite Giotteschi, that we must... more...

CHAPTER I. THE ASTRONOMICAL OBSERVATORY. Early Astronomical Observations—The Observatory of Tycho Brahe—The Pupil of the Eye—Vision of Faint Objects—The Telescope—The Object-Glass—Advantages of Large Telescopes—The Equatorial—The Observatory—The Power of a Telescope—Reflecting Telescopes—Lord Rosse's Great Reflector at Parsonstown—How the mighty Telescope is... more...

INTRODUCTION In the first decade of the eighteenth century, with comedy in train to be altered out of recognition to please the reformers and the ladies, one of the two talented writers who attempted to keep the comic muse alive in something like her "Restoration" form was Thomas Baker.[1] Of Baker's four plays which reached the stage, none has been reprinted since the eighteenth century... more...

A Midwinter Madness. Genius has been defined as a capacity for taking pains. When a college man's good fairy makes her first call at his cradle, she may bestow upon him the football instinct, with muscles to match; no fairy could do more. But if she bumps up against Heredity, and is powerless to give him the supreme gift, she may compensate for it in a degree by leaving the kind of larynx and... more...

CHAPTER I A STORY AND A VISIT At the beginning of the month of September, 1916, there appeared in the Cornhill Magazine a story entitled "The Lost Naval Papers." I had told this story at second hand, for the incidents had not occurred within my personal experience. One of the principals—to whom I had allotted the temporary name of Richard Cary—was an intimate friend,... more...

TURNING THE BIBLE The place of the beginning of this story was a country neighborhood on a shore, if one may call it so, that divided a forest and prairie in Central Illinois. The date was nearly a lifetime ago. An orange-colored sun going down behind the thrifty orchard of young apple-trees on John Albaugh's farm, put into shadow the front of a dwelling which had stood in wind and weather long... more...