INTRODUCTION In hardly any of his books, with the possible exception of Eugenie Grandet, does Balzac seem to have taken a greater interest than in Le Medecin de Campagne; and the fact of this interest, together with the merit and intensity of the book in each case, is, let it be repeated, a valid argument against those who would have it that there was something essentially sinister both in his genius... more...

CHAPTER I Not far from the rugged and storm-whipped north shore of Lake Superior, and south of the Kaministiqua, yet not as far south as the Rainy River waterway, there lay a paradise lost in the heart of a wilderness world—and in that paradise "a little corner of hell." That was what the girl had called it once upon a time, when sobbing out the shame and the agony of it to herself. That was... more...

About the end of the year 1639, a troop of horsemen arrived, towards midday, in a little village at the northern extremity of the province of Auvergne, from the direction of Paris. The country folk assembled at the noise, and found it to proceed from the provost of the mounted police and his men. The heat was excessive, the horses were bathed in sweat, the horsemen covered with dust, and the party... more...

SCENE I.—JULIA, THE VISCOUNT. Visc. What! you are here already? Ju. Yes, and you ought to be ashamed of yourself, Cléante; it is not right for a lover to be the last to come to the rendezvous. Visc. I should have been here long ago if there were no importunate people in the world. I was stopped on my way by an old bore of rank, who asked me news of the court, merely to be able himself to detail to... more...

In preparing this volume on the Countess of Albany (which I consider as a kind of completion of my previous studies of eighteenth-century Italy), I have availed myself largely of Baron Alfred von Reumont's large work Die Gräfin von Albany (published in 1862); and of the monograph, itself partially founded on the foregoing, of M. St. René Taillandier, entitled La Comtesse d'Albany, published... more...

SCENE 1 SCENE—A room with lighted fire, and a door into the open air, through which one sees, perhaps, the trees of a wood, and these trees should be painted in flat colour upon a gold or diapered sky. The walls are of one colour. The scene should have the effect of missal Painting. MARY, a woman of forty years or so, is grinding a quern. MARY. What can have made the grey hen flutter so? (TEIG, a boy... more...

THE PRINCESS OF THE GOLDEN CASTLE EDDY was all alone, for his mother had been up with him so much the night before that at about four o'clock in the afternoon she said that she was going to lie down for a little while. The little boy had always enjoyed being ill, for then he was read aloud to and had lemonade, but this had been a real illness, and though he was better now, the doctor still would... more...

It was a Thursday evening, the fifteenth of October; and although only half-past six o'clock, it had been dark for some time already. The weather was cold, and the sky was as black as ink, while the wind blew tempestuously, and the rain fell in torrents. The servants at the Hotel de Chalusse, one of the most magnificent mansions in the Rue de Courcelles in Paris, were assembled in the... more...

A MOVE ON THE “FORTY” In Paris, in Rome, in Florence, in Berlin, in Vienna—in fact, over half the face of Europe, from the Pyrenees to the Russian frontier—I am now known as “The Count’s Chauffeur.” An Englishman, as my name George Ewart denotes, I am of cosmopolitan birth and education, my early youth having been spent on the Continent, where my father was agent for a London firm. When I... more...

Chapter 1. Marseilles—The Arrival. On the 24th of February, 1815, the look-out at Notre-Dame de la Garde signalled the three-master, the Pharaon from Smyrna, Trieste, and Naples. As usual, a pilot put off immediately, and rounding the Chateau d'If, got on board the vessel between Cape Morgion and Rion island. Immediately, and according to custom, the ramparts of Fort Saint-Jean were covered with... more...