No new edition of Bulfinch's classic work can be considered complete without some notice of the American scholar to whose wide erudition and painstaking care it stands as a perpetual monument. "The Age of Fable" has come to be ranked with older books like "Pilgrim's Progress," "Gulliver's Travels," "The Arabian Nights," "Robinson Crusoe," and five... more...

And it was at the hour of sunset that they came to the foot of the mountain. There was in that place no sign of life,—neither token of water, nor trace of plant, nor shadow of flying bird,— nothing but desolation rising to desolation. And the summit was lost in heaven. Then the Bodhisattva said to his young companion:—"What you have asked to see will be shown to you. But the place of the... more...

INTRODUCTION This book is for the greater part a collection of Hawaiian songs and poetic pieces that have done service from time immemorial as the stock supply of the hula. The descriptive portions have been added, not because the poetical parts could not stand by themselves, but to furnish the proper setting and to answer the questions of those who want to know. Now, the hula stood for very much to... more...

A monkey and a crab once met when going round a mountain. The monkey had picked up a persimmon-seed, and the crab had a piece of toasted rice-cake. The monkey seeing this, and wishing to get something that could be turned to good account at once, said: "Pray, exchange that rice-cake for this persimmon-seed." The crab, without a word, gave up his cake, and took the persimmon-seed and planted it.... more...

Introduction. None of us, whether children or adults, needs an introduction to Mother Goose. Those things which are earliest impressed upon our minds cling to them most tenaciously The snatches sung in the nursery are never forgotten, nor are they ever recalled without bringing back with them myriads of slumbering feelings and half-forgotten images. We hear the sweet, low voice of the mother, singing... more...

STORYOLOGY. I. What is a myth? According to Webster, it is 'a fabulous or imaginary statement or narrative conveying an important truth, generally of a moral or religious nature: an allegory, religious or historical, of spontaneous growth and popular origin, generally involving some supernatural or superhuman claim or power; a tale of some extraordinary personage or country that has been gradually... more...

I. THE ORIGINS OF FOLK-LORE. FEW mediaeval heroes are so widely known as William Tell. His exploits have been celebrated by one of the greatest poets and one of the most popular musicians of modern times. They are doubtless familiar to many who have never heard of Stauffacher or Winkelried, who are quite ignorant of the prowess of Roland, and to whom Arthur and Lancelot, nay, even Charlemagne, are but... more...

CHAPTER I "Well, Robin, on what folly do you employ yourself? Do you cut sticks for our fire o' mornings?" Thus spoke Master Hugh Fitzooth, King's Ranger of the Forest at Locksley, as he entered his house. Robin flushed a little. "These are arrows, sir," he announced, holding one up for inspection. Dame Fitzooth smiled upon the boy as she rose to meet her lord. "What... more...

INTRODUCTION. I. The readers of my translation of the Book of the Thousand Nights and One Night will remember that, in the terminal essay (1884) on the history and character of the collection, I expressed my conviction that the eleven (so-called) "interpolated" tales, though, in my judgment, genuine Oriental stories, had (with the exception of the Sleeper Awakened and Aladdin) no connection... more...

PREFACE A neighbour of mine exclaimed, when I mentioned that I proposed making a small collection of the folk-lore legends of the tribe of blacks I knew so well living on this station, "But have the blacks any legends?"—thus showing that people may live in a country and yet know little of the aboriginal inhabitants; and though there are probably many who do know these particular legends, yet... more...