CHAPTER I THE STORM “Margot! Margot!” Mother Angelique’s anxious call rang out over the water, once, twice, many times. But, though she shaded her brows with her hands and strained her keen ears to listen, there was no one visible and no response came back to her. So she climbed the hill again and, reëntering the cabin, began to stir with almost vicious energy the contents of a pot swinging in... more...

FOREWORD Piracy embodies the romance of the sea at its highest expression. It is a sad but inevitable commentary on our civilization, that, so far as the sea is concerned, it has developed from its infancy down to a century or so ago, under one phase or another of piracy. If men were savages on land they were doubly so at sea, and all the years of maritime adventure—years that added to the map of the... more...

CHAPTER I DARKNESS There was a house in this town where always by night lights burned. In one of its rooms many lights burned; in each of the other rooms at least one light. It stood on Clay Street, on a treeless plot among flower beds, a small dull-looking house; and when late on dark nights all the other houses on Clay Street were solid blockings lifting from the lesser blackness of their background,... more...

INTRODUCTION Cada puta hile (Let every jade go spin).—SANCHO PANZA. Almost alone in Europe stands Spain, the country of things as they are. The Spaniard weaves no glamour about facts, apologises for nothing, extenuates nothing. Lo que ha de ser no puede faltar! If you must have an explanation, here it is. Chew it, Englishman, and be content; you will get no other. One result of this is that... more...

INTRODUCTORY LETTER MY DEAR MR. FIELDS,—I did promise to write an Introduction to these charming papers but an Introduction,—what is it?—a sort of pilaster, put upon the face of a building for looks' sake, and usually flat,—very flat. Sometimes it may be called a caryatid, which is, as I understand it, a cruel device of architecture, representing a man or a woman, obliged to hold up upon... more...

PREFACE. PREFACE TO THE SECOND EDITION. If I had chosen to introduce myself to the greatest possible advantage to the reader, in this Preface to a Second Edition of the "Bibliographical, Antiquarian, and Picturesque Tour," I could not have done better than have borrowed the language of those Foreigners, who, by a translation of the Work (however occasionally vituperative their criticisms) have,... more...

CHAPTER I. THE EARLIER PEOPLE. A PATRIARCH'S STORY.This is the City of Winnipeg. Its growth has been wonderful. It is the highwater mark of Canadian enterprise. Its chief thoroughfare, with asphalt pavement, as it runs southward and approaches the Assiniboine River, has a broad street diverging at right angles from it to the West. This is Broadway, a most commodious avenue with four boulevards... more...

DE AMICITIA. The De Amicitia, inscribed, like the De Senectute, to Atticus, was probably written early in the year 44 B.C., during Cicero's retirement, after the death of Julius Caesar and before the conflict with Antony. The subject had been a favorite one with Greek philosophers, from whom Cicero always borrowed largely, or rather, whose materials he made fairly his own by the skill, richness,... more...

1. The Dread Paralysis A weird and uncanny tale about a strange criminal who called himself Doctor Satan, and the terrible doom with which he struck down his enemiesOn one of the most beautiful bays of the Maine coast rested the town that fourteen months before had existed only on an architect's drawing-board. Around the almost landlocked harbor were beautiful homes, bathing-beaches, parks. On the... more...

To disobey the orders of theCouncil of Four was unthinkableto a Space Admiral of the oldschool. But the trouble was,the school system had changed.A man, a fighter, an Admiralhad to think for himself now, ifhis people were to live. While facing the Council of Four his restraint had not slipped; but afterward, shaking with fury, the Admiral of the Fleets of Sennech slammed halfway down the long flight of... more...