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by: Aeschylus
PREFACE The sense of difficulty, and indeed of awe, with which a scholar approaches the task of translating the Agamemnon depends directly on its greatness as poetry. It is in part a matter of diction. The language of Aeschylus is an extraordinary thing, the syntax stiff and simple, the vocabulary obscure, unexpected, and steeped in splendour. Its peculiarities cannot be disregarded, or the translation... more...

Flag of The Free Flag of the free, our sable siresHave borne thee oft beforeInto hot battles' hell-lit fires,Against the fiercest foe.When first he shook his shaggy mein,And made the welkin ring,Brave Attucks fell upon the Plain,Thy stripes first crimsoning!Thy might and majesty we hurl,Against the bolts of Mars;And from thy ample folds unfurlThy field of flaming stars!Fond hope to nations in... more...

FIRST ACT SCENE The octagon room at Sir Robert Chiltern’s house in Grosvenor Square. [The room is brilliantly lighted and full of guests.  At the top of the staircase stands lady chiltern, a woman of grave Greek beauty, about twenty-seven years of age.  She receives the guests as they come up.  Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large... more...

ACT I SCENE: The stage is divided by an old wall, covered with vines and flowers. At the right, a corner of BERGAMIN's private park; at the left, a corner of PASQUINOT's. On each side of the wall, and against it, is a rustic bench. As the curtain rises, PERCINET is seated on the top of the wall. On his knee is a book, out of which he is reading to SYLVETTE, who stands attentively listening on... more...

LA GRANDE BRETECHE "Ah! madame," replied the doctor, "I have some appalling stories in my collection. But each one has its proper hour in a conversation—you know the pretty jest recorded by Chamfort, and said to the Duc de Fronsac: 'Between your sally and the present moment lie ten bottles of champagne.'" "But it is two in the morning, and the story of Rosina has... more...

CHAPTER I “ No,” said the Princess. “No. I’m—dashed if I do.” “My darling child!” exclaimed the Grand Duchess. “You’re impossible. If any one should hear you!” “It’s he who’s impossible,” the Princess amended. “I’m just trying to show you—” “Or to shock me. You are so like your grandmother.” “That’s the best compliment any one can give me, which is lucky,... more...

Lectures on Art. Preliminary Note. Ideas. As the word idea will frequently occur, and will be found also to hold an important relation to our present subject, we shall endeavour, in limine, to possess our readers of the particular sense in which we understand and apply it. An Idea, then, according to our apprehension, is the highest or most perfect form in which any thing, whether of the physical, the... more...

Faustus is therefore a parable of the impotent yearnings of the Middle Ages—its passionate aspiration, its conscience-stricken desire, its fettered curiosity amid the tramping limits of imperfect knowledge and irrational dogmatism. The indestructible beauty of Greek art,—whereof Helen was an emblem, became, through the discovery of classic poetry and sculpture, the possession of the modern world.... more...

CANTO I IN the midway of this our mortal life,I found me in a gloomy wood, astrayGone from the path direct: and e'en to tellIt were no easy task, how savage wildThat forest, how robust and rough its growth,Which to remember only, my dismayRenews, in bitterness not far from death.Yet to discourse of what there good befell,All else will I relate discover'd there.How first I enter'd it I... more...

BIOGRAPHICAL SKETCH Captain Mayne Reid was born at Ballyroney, County Down, on the 4th April, 1818, and was the son of the Rev. Thomas Mayne Reid. Mayne Reid was educated with a view to the Church, but finding his inclinations opposed to this calling, he emigrated to America and arrived in New Orleans on January, 1840. After a varied career as plantation over-seer, school-master, and actor, with a... more...