INTRODUCTION 'LA FAUTE DE L'ABBE MOURET' was, with respect to the date of publication, the fourth volume of M. Zola's 'Rougon-Macquart' series; but in the amended and final scheme of that great literary undertaking, it occupies the ninth place. It proceeds from the sixth volume of the series, 'The Conquest of Plassans;' which is followed by the two works that... more...

THE GAY LORD QUEX THE FIRST ACT The scene represents a manicure establishment in New Bond Street. It is a front room upon the first floor, with three french-windows affording a view of certain buildings on the east side of the street. On the left, furthest from the spectator, is a wide, arched opening, apparently leading to another apartment, in which is the door giving entrance to the rooms from the... more...

It had no awareness of time, and so did not know nor concern itself with the millennia that passed since it first drew up the dissolved silicates from the shifting grey remnants of soil and arranged them inside the walls of the thousand green pods that were its body cells, and settled down to wait. Somewhere within its fragile cortex, a tiny pulse of life beat. It was a feeble pulse, to be sure, and... more...

INTRODUCTORY NOTE. In order to read the Gospel of St. John with some intelligence, it is necessary to understand its purpose and its plan. For in the whole range of literature there is no composition which is a more perfect work of art, or which more rigidly excludes whatever does not subserve its main end. From the first word to the last there is no paragraph, sentence, or expression which is out of... more...

CHAPTER I. The Children Carried Off by the Indians—The Feast in the Wigwam—Souwanas, the Story-teller—Nanahboozhoo, the Indian Myth—How the Wolves Stole His Dinner, and Why the Birch Tree Bark is Scarred—Why the Raccoon has Rings on His Tail. Without even knocking at the door there noiselessly entered our northern home two large, unhandsome Indians. They paid not the slightest attention to... more...

RIENZI, Wagner was greatly troubled in the beginning of his career about the choice of subjects for his operas. His first famous work, ‘Rienzi,’ is founded upon the same historical basis as Bulwer's novel bearing the same name, and is a tragic opera in five acts. The composer wrote the poem and the first two acts of the score in 1838, during his residence at Riga, and from there carried it... more...

Chretien De Troyes has had the peculiar fortune of becoming the best known of the old French poets to students of mediaeval literature, and of remaining practically unknown to any one else. The acquaintance of students with the work of Chretien has been made possible in academic circles by the admirable critical editions of his romances undertaken and carried to completion during the past thirty years... more...

The man with the pith helmet had his back toward me. Hunched forward, he was screaming at the girl in the lens of his camera. "Don't just stand there, Dotty! Move! Do something! Back up toward that column with inscriptions on it...." The girl was tall and longlegged with ideal body proportions, her features and skin coloring a perfect norm-blend with no throwback elements. Right now she... more...

At length I returned from two weeks leave of absence to find that my patrons had arrived three days ago in Roulettenberg. I received from them a welcome quite different to that which I had expected. The General eyed me coldly, greeted me in rather haughty fashion, and dismissed me to pay my respects to his sister. It was clear that from SOMEWHERE money had been acquired. I thought I could even detect a... more...

CHAPTER I. In the marble-floored vestibule of the Metropolitan Grand Hotel in Buffalo, Professor Stillson Renmark stood and looked about him with the anxious manner of a person unused to the gaudy splendor of the modern American house of entertainment. The professor had paused halfway between the door and the marble counter, because he began to fear that he had arrived at an inopportune time, that... more...