PROLOGUE The tableau curtains are closed. An English archdeacon comes through them in a condition of extreme irritation. He speaks through the curtains to someone behind them. THE ARCHDEACON. Once for all, Ermyntrude, I cannot afford to maintain you in your present extravagance. [He goes to a flight of steps leading to the stalls and sits down disconsolately on the top step. A fashionably dressed lady... more...

THE PREFACE. When Mr. Pococke first publish'd this Arabick Author with his accurate Latin Version, Anno 1671. Dr. Pococke his Father, that late eminent Professor of the Oriental Languages in the University of Oxford, prefix'd a Preface to it; in which he tells us, that he has good Reason to think, that this Author was contemporary with Averroes, who died very ancient in the Year of the Hegira... more...

ACT I. SCENE I.—OCTAVE, SILVESTRE. Oct. Ah! what sad news for one in love! What a hard fate to be reduced to! So, Silvestre, you have just heard at the harbour that my father is coming back? Sil. Yes. Oct. That he returns this very morning? Sil. This very morning. Oct. With the intention of marrying me? Sil. Of marrying you. Oct. To a daughter of Mr. Géronte? Sil. Of Mr. Géronte. Oct. And that this... more...

Since the publication of BRAIN TWISTER (Pyramid Book F-783), Mark (Laurence M. Janifer) Phillips (Randall Philip Garrett) has, or have, undergone several changes. In order to keep the reader posted on the latest developments regarding this author, or these authors, he, or they, has, or have, passed on the following details: GARRETT is still engaged. He and his charming fiancee plan to run out of... more...

"Space life expectancy has been increased to twenty-five months and six days," said Marlowe, the training director. "That's a gain of a full month." Millions of miles from Earth, Ethan also looked discontentedly proud. "A mighty healthy-looking boy," he declared. Demarest bent a paperweight ship until it snapped. "It's something. You're gaining on the heredity... more...

IN preparing a work for the press, the author, the compositor, and the proof-reader are the three factors that enter into its construction. We will, however, treat more especially of the last-named in connection with the first. The true proof-reader should not only be a practical printer, but he should be a lover of literature, familiar with the classics of all languages, with the results accomplished... more...

FIRST ACT SCENE Morning-room in Algernon’s flat in Half-Moon Street.  The room is luxuriously and artistically furnished.  The sound of a piano is heard in the adjoining room. [Lane is arranging afternoon tea on the table, and after the music has ceased, Algernon enters.] Algernon.  Did you hear what I was playing, Lane? Lane.  I didn’t think it polite to listen, sir. Algernon.  I’m sorry... more...

CHAPTER I It would have been idle to inquire into the antecedents, or even the circumstances, of old Mother Beggarlegs. She would never tell; the children, at all events, were convinced of that; and it was only the children, perhaps, who had the time and the inclination to speculate. Her occupation was clear; she presided like a venerable stooping hawk, over a stall in the covered part of the Elgin... more...

CHAPTER I THEY came into the hotel dining-room like young persons making their first entry into life. They carried themselves with an air of subdued audacity, of innocent inquiry. When the great doors opened to them they stood still on the threshold, charmed, expectant. There was the magic of quest, of pure, unspoiled adventure in their very efforts to catch the head-waiter's eye. It was as if... more...

CHAPTER I. In the 1880 edition of Men of the Day, under the heading Astier-Réhu, may be read the following notice:— Astier, commonly called Astier-Réhu (Pierre Alexandre Léonard), Member of the Académie Française, was born in 1816 at Sauvagnat (Puy-de-Dôme). His parents belonged to the class of small farmers. He displayed from his earliest years a remarkable aptitude for the study of history.... more...