CHAPTER I The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had... more...

I Next morning he saw her again. He had left his very new law office, just around in Bienville Street, and had come but a few steps down Royal, when, at the next corner below, she turned into Royal, toward him, out of Conti, coming from Bourbon. The same nine-year-old negro boy was at her side, as spotless in broad white collar and blue jacket as on the morning before, and carrying the same droll air... more...

As the day was now waning apace, and I was still unprovided with any one who could act as my second, I set out upon a search through the various large hotels in the neighbourhood, trusting that amid my numerous acquaintance I should be fortunate enough to find some of them at Paris. With a most anxious eye I scanned the lists of arrivals at the usual haunts of my countrymen, in the Rue Rivoli, and the... more...

ESSAYS ON ART "The Adoration of the Magi" There is one beauty of nature and another of art, and many attempts have been made to explain the difference between them. Signor Croce's theory, now much in favour, is that nature provides only the raw material for art. The beginning of the artistic process is the perception of beauty in nature; but an artist does not see beauty as he sees a cow.... more...

JOSEPH CONRAD "Under all his stories there ebbs and flows a kind of tempered melancholy, a sense of seeking and not finding...." I take the words from a little book on Joseph Conrad by Wilson Follett, privately printed, and now, I believe, out of print. They define both the mood of the stories as works of art and their burden and direction as criticisms of life. Like Dreiser, Conrad is forever... more...

The Seizure of the “Zenobia”. The Zenobia—A1 at Lloyd’s—was a beautiful little clipper barque of 376 tons register, and so exquisitely fine were her lines that her cargo-carrying capacity amounted to but a few tons more than her register tonnage; in fact, the naval architect who designed her had been instructed to ignore altogether the question of cargo capacity, and to give his whole... more...

The Pets "Of all the worlds I ever broke into, this one's the most curious," said Red. "And one of the curiousest things in it is that I think it's queer. Why should I, now? What put it into our heads that affairs ought to go so and so and so, when they never do anything of the sort? Take any book you read, or any story a man tells you: it runs along about how Mr. Smith made up... more...

                          DIARY OF SAMUEL PEPYS.                                NOVEMBER                                  1668 November 1st (Lord's day). Up, and with W. Hewer at my chamber all this morning, going further in my great business for the Duke of York, and so at noon to dinner, and then W. Hewer... more...

I ~ THE "STARLIGHT" As the rising sun had just begun to pierce the misty tropic haze of early dawn, a small, white-painted schooner of ninety or a hundred tons burden was bearing down upon the low, densely-wooded island of Mayou, which lies between the coast of south-east New Guinea and the murderous Solomon Group—the grave of the white man in Melanesia. The white population of Mayou was not... more...

Many pens have been burnished this year of grace for the purpose of celebrating with befitting honour the second centenary of the birth of Henry Fielding; but it is more than doubtful if, when the right date occurs in March 1921, anything like the same alacrity will be shown to commemorate one who was for many years, and by such judges as Scott, Hazlitt, and Charles Dickens, considered Fielding's... more...