I One Sunday in March they had been marooned at the club, Steingall the painter and Quinny the illustrator, and, having lunched late, had bored themselves separately to their limits over the periodicals until, preferring to bore each other, they had gravitated together in easy arm-chairs before the big Renaissance fireplace. Steingall, sunk in his collar, from behind the black-rimmed spectacles, which,... more...

THE MAN OF SONGS. "Thou wanderest in the land of dreams,  O man of many songs!To thee what is, but looks and seems;  No realm to thee belongs!" "Seest thou those mountains, faint and far,  O spirit caged and tame?""Blue clouds like distant hills they are,  And like is not the same." "Nay, nay; I know each mountain well,  Each cliff, and peak, and dome!In that... more...

MILLIE AND THE "KAYSER." Millie is a "daily help." Who it is that she helps—whether herself or her employer—I am not in a position to say, for I am only temporarily a lodger in the house where Millie helps, and she doesn't help me much. But to-day I have made her hear and understand one whole sentence. It is the first time during the six days that we have known each other that... more...

The launch carrying the mail, supplies and replacements eased slowly in toward the base, keeping the bulk of the Moon between itself and Earth. Captain Ebor, seated at the controls, guided the ship to the rocky uneven ground with the easy carelessness of long practice, then cut the drive, got to his walking tentacles, and stretched. Donning his spacesuit, he left the ship to go over to the dome and... more...

INITIALS USED IN VOLUME IV. TO IDENTIFY INDIVIDUALCONTRIBUTORS, WITH THE HEADINGS OF THEARTICLES IN THIS VOLUME SO SIGNED.A. B. R.Alfred Barton Rendle, F.R.S., F.L.S., M.A., D.Sc.Keeper of the Department of Botany, British Museum.{Botany.A. E. H.A. E. Houghton.Formerly Correspondent of theStandardin Spain. Author ofRestoration of the Bourbons in Spain.{Cabrera.A. E. S.Arthur Everett Shipley, F.R.S.,... more...

CHAPTER I. Rocks-naked, hard, red-brown rocks all round; not a bush, not a blade, not a clinging moss such as elsewhere nature has lightly flung on the rocky surface of the heights, as if a breath of her creative life had softly touched the barren stone. Nothing but smooth granite, and above it a sky as bare of cloud as the rocks are of shrubs and herbs. And yet in every cave of the mountain wall there... more...

Seeing that it is no less necessary for sculptors to have mastery over their carving-tools than it is for him who practises painting to be able to handle colours, it therefore happens that many who work very well in clay prove to be unable to carry their labours to any sort of perfection in marble; and some, on the contrary, work very well in marble, without having any more knowledge of design than a... more...

THE ORATORIO. The oratorio in its modern form is a musical setting of a sacred story or text in a style more or less dramatic. Its various parts are assigned to the four solo voices and to single or double chorus, with accompaniment of full orchestra, sometimes amplified by the organ. Like the opera, it has its recitative, linking together and leading up to the various numbers. The origin of the word... more...

CHAPTER I CALICO PATCHWORK The gorgeous sunshine of a perfect June morning invited to the great outdoors. Exquisite perfume from myriad blossoms tempted lovers of nature to get away from cramped, man-made buildings, out under the blue roof of heaven, and revel in the lavish splendor of the day. This call of the Junetide came loudly and insistently to a little girl as she sat in the sitting-room of a... more...

TOM WANTS EXCITEMENT   “Have you anything special to do to-night, Ned?” asked Tom Swift, the well-known inventor, as he paused in front of his chum’s window, in the Shopton National Bank. “No, nothing in particular,” replied the bank clerk, as he stacked up some bundles of bills. “Why do you ask?” “I wanted you to come over to the house for a while.” “Going to have a surprise... more...