1. A Horror from the Past   drab gray sheet of cloud slipped stealthily from the moon's round face, like a shroud slipping from the face of one long dead, a coldly phosphorescent face from which the eyes had been plucked. Yellow radiance fell toward a calm, oily sea, seeking a narrow bank of fog lying low on the water, penetrating its somber mass like frozen yellow fingers. Vilma Bradley... more...

How well I remember my first meeting with Tekahionwake, the Indian girl! I see her yet as she stood in all ways the ideal type of her race, lithe and active, with clean-cut aquiline features, olive-red complexion and long dark hair; but developed by her white-man training so that the shy Indian girl had given place to the alert, resourceful world-woman, at home equally in the salons of the rich and... more...

The Isles of Sunset About midway between the two horns of the bay, the Isles of Sunset pierced the sea. There was deep blue water all around them, and the sharp and fretted pinnacles of rock rose steeply up to heaven. The top of the largest was blunt, and covered with a little carpet of grass and sea-herbs. The rest were nought but cruel spires, on which no foot but that of sea-birds could go. At one... more...

I I Without "the living comment and interpretation of the theatre," Shakespeare's work is, for the rank and file of mankind, "a deep well without a wheel or a windlass." It is true that the whole of the spiritual treasures which Shakespeare's dramas hoard will never be disclosed to the mere playgoer, but "a large, a very large, proportion of that indefinite all" may be... more...

DESCRIPTION OF FRONTISPIECE     [I am indebted for the arrangement of this picture to the kindness of the authorities at South Kensington Museum, where all these instruments may be found, except the Pipe and Cornet, which belong to my friend, Mr W.F.H. Blandford.] In the middle, on table. Queen Elizabeth's 'Virginal.' Date, latter half of 16th century. Outside of case (not visible in... more...

SHAKESPEARE AND PRECIOUS STONES So wide is the range of the immortal verse of Shakespeare, and so many and various are the subjects he touched upon and adorned with the magic beauty of his poetic imagery, that it will be of great interest to refer to the allusions to gems and precious stones in his plays and poems. These allusions are all given in the latter part of this volume. What can we learn from... more...

INTRODUCTION. I. The last century was yet in its infancy when the author of The Romany Rye first saw the light in the sleepy little East Anglian township of East Dereham, in the county distinguished by Borrow as the one in which the people eat the best dumplings in the world and speak the purest English.  “Pretty quiet D[ereham]” was the retreat in those days of a Lady Bountiful in the person of... more...

LECTURE I THE SUBSTANCE OF SHAKESPEAREAN TRAGEDY The question we are to consider in this lecture may be stated in a variety of ways. We may put it thus: What is the substance of a Shakespearean tragedy, taken in abstraction both from its form and from the differences in point of substance between one tragedy and another? Or thus: What is the nature of the tragic aspect of life as represented by... more...

INTRODUCTION I. ISLAM IN THE MIDDLE AGES. The Itinerary of Benjamin of Tudela throws a flashlight upon one of the most interesting stages in the development of nations. The history of the civilized world from the downfall of the Roman Empire to the present day may be summarized as the struggle between Cross and Crescent. This struggle is characterized by a persistent ebb and flow. Mohammed in 622 A.D.... more...

"A LAUNG KHIT." Once upon a time there was a woman who lived in the State of Lai Hka. She was a very pious woman and always gave the best rice and puc to the priests as they walked, rice chattie in hand, through the city in the early morning. Every year when the girls and boys went to the river and filled their chatties with water to throw over the pagodas and idols to insure a good rainy... more...