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A crosser old woman than Mrs. Deborah Thornby was certainly not to be found in the whole village of Hilton. Worth, in country phrase, a power of money, and living (to borrow another rustic expression) upon her means, the exercise of her extraordinary faculty for grumbling and scolding seemed the sole occupation of her existence, her only pursuit, solace, and amusement; and really it would have been a...
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CHAPTER I THE YOUNG MAN NEXT DOOR My story begins with an incident that is bound to happen some time in any household that boasts—or perhaps deplores—a high-spirited girl of twenty-three in it. It begins with "a row" about a young man. My story begins, too, where the first woman's story began—in a garden. It was the back garden of our red-roofed villa in that suburban street,...
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by:
Walter Bagehot
CHAPTER I. Introductory. I venture to call this Essay 'Lombard Street,' and not the 'Money Market,' or any such phrase, because I wish to deal, and to show that I mean to deal, with concrete realities. A notion prevails that the Money Market is something so impalpable that it can only be spoken of in very abstract words, and that therefore books on it must always be exceedingly...
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CHAPTER I THE PROBLEM OF THE CRITIQUE The problem of the Critique may be stated in outline and approximately in Kant's own words as follows. Human reason is called upon to consider certain questions, which it cannot decline, as they are presented by its own nature, but which it cannot answer. These questions relate to God, freedom of the will, and immortality. And the name for the subject which...
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INTRODUCTION The most powerful and the most perfect expression of thought and feeling through the medium of oral language must be traced to the mastery of words. Nothing is better suited to lead speakers and readers of English into an easy control of this language than the command of the phrase that perfectly expresses the thought. Every speaker's aim is to be heard and understood. A clear, crisp...
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by:
Conrad Aiken
A FOREWORD When the first Miscellany of American Poetry appeared in 1920, innumerable were the questions asked by both readers and reviewers of publishers and contributors alike. The modest note on the jacket appeared to satisfy no one. The volume purported to have no editor, yet a collection without an editor was pronounced preposterous. It was obviously not the organ of a school, yet it did not seem...
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CHAPTER ITHE OPEN PORT 'Fun!' said Ken Carrington, as he leaned over the rail of the transport, 'Cardigan Castle,' and watched the phosphorescent waters of the Aegean foaming white through the darkness against her tall side. 'Fun!' he repeated rather grimly. 'You won't think it so funny when you find yourself crawling up a cliff with quick-firers barking at you...
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The ladies of St. James’s Go swinging to the play; Their footmen run before them With a “Stand by! Clear the way!” But Phyllida, my Phyllida! She takes her buckled shoon. When we go out a-courting Beneath the harvest moon. The ladies of St. James’s! They are so fine and fair, You’d think a box of essences Was broken in the air: But Phyllida, my Phyllida! The breath of heath and furze When...
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Esau Tankardew. Certainly, Mr Tankardew was not a pattern of cleanliness, either in his house or his person. Someone had said of him sarcastically, “that there was nothing clean in his house but his towels;” and there was a great deal of truth in the remark. He seemed to dwell in an element of cobwebs; the atmosphere in which he lived, rather than breathed, was apparently a mixture of fog and dust....
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by:
Various
NOTES ON DOMESTIC ARCHITECTURE. If building many houses could teach us to build them well, surely we ought to excel in this matter. Never was there such a house-building people. In other countries the laws interfere,—or customs, traditions, and circumstances as strong as laws; either capital is wanting, or the possession of land, or there are already houses enough. If a man inherit a house, he is not...
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