I THE AESTHETIC HYPOTHESIS It is improbable that more nonsense has been written about aesthetics than about anything else: the literature of the subject is not large enough for that. It is certain, however, that about no subject with which I am acquainted has so little been said that is at all to the purpose. The explanation is discoverable. He who would elaborate a plausible theory of aesthetics must... more...

I have read with great satisfaction the excellent descriptive articles on the wonders of the Upper Yellowstone, in the May and June numbers of your magazine. Having myself been one of the party who participated in many of the pleasures, and suffered all the perils of that expedition, I can not only bear testimony to the fidelity of the narrative, but probably add some facts of experience which will not... more...

PREFACE. It is an oft-quoted proposition of Rousseau, that “the glory of woman lies in being unknown.” If this be true, we shall deserve little credit for placing before the world these brief sketches of a few of the sex who have acquired celebrity among mankind. We are disposed to think, however, that the oracular words of the Genevan philosopher—though they may coincide with the despotism of... more...

PREFACE The National Society of the Colonial Dames of America have formed the laudable habit of illustrating the colonial period of United States history, in which they are especially interested, by published volumes of original historical material, previously unprinted, and relating to that period. Thus in the course of years they have made a large addition to the number of documentary sources... more...

CHAPTER I But Michael never sailed out of Tulagi, nigger-chaser on the Eugénie.  Once in five weeks the steamer Makambo made Tulagi its port of call on the way from New Guinea and the Shortlands to Australia.  And on the night of her belated arrival Captain Kellar forgot Michael on the beach.  In itself, this was nothing, for, at midnight, Captain Kellar was back on the beach, himself climbing the... more...

CANTO I His glory, by whose might all things are mov'd,Pierces the universe, and in one partSheds more resplendence, elsewhere less.  In heav'n,That largeliest of his light partakes, was I,Witness of things, which to relate againSurpasseth power of him who comes from thence;For that, so near approaching its desireOur intellect is to such depth absorb'd,That memory cannot follow.... more...

CHAPTER IHOW PEACEFUL ARTS HELP IN WAR In the olden times warfare was supported by a single trade, that of the armourer. Nowadays the whole resources of the greatest manufacturing nations scarcely suffice to supply the needs of their armies. So much is this the case that no nation can possibly hope to become powerful in a military or naval sense unless they are either a great manufacturing community or... more...

CHAPTER1 OLD MAN OF THE HILLS A girl in crumpled linen slacks skidded to a fast stop on the polished floor of the Star business office. With a flourish, she pushed a slip of paper through the bars of the treasurer’s cage. She grinned beguilingly at the man who was totaling a long column of figures. “Top o’ the morning, Mr. Peters,” she chirped. “How about cashing a little check for me?” The... more...

CHAPTER I A BOMBING AIR RAID The scene in the valley was striking in one respect. Low ranges of gently sloping hills had widened out, enclosing broad levels with what in America would be termed a creek but was here poetically named a river. By here I mean eastern France, not so many miles from No-Man's-Land. The "striking" feature was the "Flying Camp" spread out over a dead level... more...

I. Florentine painting between Giotto and Michelangelo contains the names of such artists as Orcagna, Masaccio, Fra Filippo, Pollaiuolo, Verrocchio, Leonardo, and Botticelli. Put beside these the greatest names in Venetian art, the Vivarini, the Bellini, Giorgione, Titian, and Tintoret. The difference is striking. The significance of the Venetian names is exhausted with their significance as painters.... more...