TAORMINA I What should there be in the glimmering lights of a poor fishing-village to fascinate me? Far below, a mile perhaps, I behold them in the darkness and the storm like some phosphorescence of the beach; I see the pale tossing of the surf beside them; I hear the continuous roar borne up and softened about these heights; and this is night at Taormina. There is a weirdness in the scene—the... more...

CHAPTER I The Baroness Volterra drove to the Palazzo Conti in the heart of Rome at nine o'clock in the morning, to be sure of finding Donna Clementina at home. She had tried twice to telephone, on the previous afternoon, but the central office had answered that "the communication was interrupted." She was very anxious to see Clementina at once, in order to get her support for a new and... more...

CHAPTER I Rhoda hobbled through the sand to the nearest rock. On this she sank with a groan, clasped her slender foot with both hands and looked about her helplessly. She felt very small, very much alone. The infinite wastes of yellow desert danced in heat waves against the bronze-blue sky. The girl saw no sign of living thing save a buzzard that swept lazily across the zenith. She turned dizzily from... more...

1. The Lord, speaking in the presence of His disciples of the consummation of the age, which is the final period of the church,{1} says, near the end of what He foretells about its successive states in respect to love and faith:{2} Immediately after the tribulation of those days the sun shall be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the... more...

Upon a subject which has occupied the thoughts, and employed the pens of our most profound thinkers, and our ablest writers, it is perhaps difficult to say much that is likely to interest the reader, without the chance of being irksome from its proving a thrice told tale: and yet the subject is in itself so interesting, and so intimately connected with all that is most fascinating to our remembrances,... more...

HEARTS AND MASKS I It all depends upon the manner of your entrance to the Castle of Adventure. One does not have to scale its beetling parapets or assault its scarps and frowning bastions; neither is one obliged to force with clamor and blaring trumpets and glittering gorgets the drawbridge and portcullis. Rather the pathway lies through one of those many little doors, obscure, yet easily accessible,... more...

CHAPTER I. A PRETTY WOMAN LAYS A PLOT, AND HIRES A GARDENER. "By Jove! I have missed her; you are a very Circe, Mrs. Tompkins." The speaker, one of the handsomest men I have ever seen, started to his feet as a beautiful Italian mantel clock rang in silver chimes the hour of midnight. "Sit down again my dear Captain, I have not told you all, and am a wilful woman and must have my way. I know... more...

CHAPTER I. THE ACCIDENT. THE soft twilight of the tropics, that loves to linger over the low latitudes, after the departure of the long summer's day, was breathing in zephyrs of aromatic sweetness over the shores and plains of the beautiful Queen of the Antilles. The noise and bustle of the day had given place to the quiet and gentle influences of the hour; the slave had laid by his implements of... more...

CHAPTER I THE HORSE THIEF It was a warm summer morning in the town of Farewell. Save a dozen horses tied to the hitching-rail in front of various saloons and the Blue Pigeon Store and Bill Lainey, the fat landlord of the hotel, who sat snoring in a reinforced telegraph chair on the sidewalk in the shade of his wooden awning, Main Street was a howling wilderness. Dust overlay everything. It had not... more...

CHAPTER IWHICH TELLS OF A VERY COMMONPLACE INCIDENT No! No! she was not going to gush!—Not even though there was nothing in the room at this moment to stand up afterward before her as dumb witness to a moment's possible weakness. Less than nothing in fact: space might have spoken and recalled that moment . . . infinite nothingness might at some future time have brought back the memory of it . .... more...