1. What! No Children? Once upon a time, so long ago that I have quite forgotten the date, there lived a king and queen who had no children. And the king said to himself, "All the queens of my acquaintance have children, some three, some seven, and some as many as twelve; and my queen has not one. I feel ill-used." So he made up his mind to be cross with his wife about it. But she bore it all... more...

CHAPTER I—LIFE AND DEATH OF MRS. WEIR The Lord Justice-Clerk was a stranger in that part of the country; but his lady wife was known there from a child, as her race had been before her.  The old “riding Rutherfords of Hermiston,” of whom she was the last descendant, had been famous men of yore, ill neighbours, ill subjects, and ill husbands to their wives though not their properties.  Tales of... more...

BY RAYMOND F. JONES There is no enemy so hard to fight as a dull gray fog. It's not solid enough to beat, too indefinite to kill, and too omnipresent to escape. [Transcribers Note: This etext was produced from Analog Science Fact and Science Fiction February 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Dr. William Baker was fifty... more...

GEORGE WHITEFIELD. There are some men in the pages of history, whose greatness no person of common sense thinks of disputing. They tower above the herd of mankind, like the Pyramids, the Parthenon, and the Colosseum, among buildings. Such men were Luther and Augustine, Gustavus Adolphus and George Washington, Columbus and Sir Isaac Newton. He who questions their greatness must be content to be thought... more...

INTRODUCTION It is a curious fact that of that class of literature to which Munchausen belongs, that namely of Voyages Imaginaires, the three great types should have all been created in England. Utopia, Robinson Crusoe, and Gulliver, illustrating respectively the philosophical, the edifying, and the satirical type of fictitious travel, were all written in England, and at the end of the eighteenth... more...

CHAPTER IWHAT WE ARGUE ABOUT, AND WHY 1. What Argument is. When we argue we write or speak with an active purpose of making other people take our view of a case; that is the only essential difference between argument and other modes of writing. Between exposition and argument there is no certain line. In Professor Lamont's excellent little book, "Specimens of Exposition," there are two... more...

CHAPTER I. I am an innkeeper, and know my grounds,And study them; Brain o' man, I study them.I must have jovial guests to drive my ploughs,And whistling boys to bring my harvests home,Or I shall hear no flails thwack. THE NEW INN. It is the privilege of tale-tellers to open their story in an inn, the free rendezvous of all travellers, and where the humour of each displays itself without ceremony... more...

Chapter I I confess that when first I made acquaintance with Charles Strickland I never for a moment discerned that there was in him anything out of the ordinary. Yet now few will be found to deny his greatness. I do not speak of that greatness which is achieved by the fortunate politician or the successful soldier; that is a quality which belongs to the place he occupies rather than to the man; and a... more...

onny was playing by himself, which meant he was two tribes of Indians having a war. "Bang," he muttered, firing an imaginary rifle. He decided that it was a time in history before the white people had sold the Indians any guns, and changed the rifle into a bow. "Wizzthunk," he substituted, mimicking from an Indian film on TV the graphic sound of an arrow striking flesh. "Oof."... more...

CHAP. I. Containing introductory matter. The races at Southampton have, for time immemorial, constituted a scene of rivalship, war, and envy. All the passions incident to the human frame have here assumed as true a scope, as in the more noisy and more tragical contentions of statesmen and warriors. Here nature has displayed her most hidden attractions, and art has furnished out the artillery of beauty.... more...