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by: Moliere
ACT I. SCENE I.——ARGAN (sitting at a table, adding up his apothecary's bill with counters). Arg. Three and two make five, and five make ten, and ten make twenty. "Item, on the 24th, a small, insinuative clyster, preparative and gentle, to soften, moisten, and refresh the bowels of Mr. Argan." What I like about Mr. Fleurant, my apothecary, is that his bills are always civil. "The... more...

UNDERTHE MAPLESITHE FALLING LEAVESThe time of the falling of leaves has come again. Once more in our morning walk we tread upon carpets of gold and crimson, of brown and bronze, woven by the winds or the rains out of these delicate textures while we slept. How beautifully the leaves grow old! How full of light and color are their last days! There are exceptions, of course. The leaves of most of the... more...

CHAPTER I. THE LAST DAY AT REDMAYNE HOUSE. What trifles vex one! I was always sorry that my name was Esther; not that I found fault with the name itself, but it was too grave, too full of meaning for such an insignificant person. Some one who was learned in such matters—I think it was Allan—told me once that it meant a star, or good fortune. It may be so, but the real meaning lay for me in the... more...

THE question of questions for mankind—the problem which underlies all others, and is more deeply interesting than any other—is the ascertainment of the place which Man occupies in nature and of his relations to the universe of things. Whence our race has come; what are the limits of our power over nature, and of nature's power over us; to what goal we are tending; are the problems which... more...

CHAPTER I. the struggle before the surrender of womanly self-respect in the confessional. There are two women who ought to be the constant objects of the compassion of the disciples of Christ, and for whom daily prayers ought to be offered at the mercy-seat—the Brahmin woman, who, deceived by her priests, burns herself on the corpse of her husband to appease the wrath of her wooden gods; and the... more...

I. ON LANDSEER'S CHARACTER AS AN ARTIST. If the popularity of a painter were the measure of his artistic greatness, Sir Edwin Landseer's would be among the foremost of the world's great names. At the height of his career probably no other living painter was so familiar and so well beloved throughout the English-speaking world. There were many homes in England and America where his... more...

If Nature suddenly began to behave differently, what we consider obvious and elementary today might become—unthinkable. In the story THE DESPOILERS in the October 1947 Amazing Stories I raised the question, "Is there anything absolutely beyond human comprehension?" In that story I gave humanity a thousand years to give birth to one man who could comprehend the incomprehensible. The... more...

KING DIDERIK AND THE LION’S FIGHT WITH THE DRAGON From Bern rode forth King Diderik,   A stately warrior form;Engaged in fray he found in the way   A lion and laidly worm. They fought for a day, they fought for two,   But ere the third was flown,The worm outfought the beast, and brought   To earth the lion down. Then cried the lion in his need   When he the warrior saw:“O aid me quick,... more...

PREFATORY NOTE A survey of London, a record of the greatest of all cities, that should preserve her history, her historical and literary associations, her mighty buildings, past and present, a book that should comprise all that Londoners love, all that they ought to know of their heritage from the past—this was the work on which Sir Walter Besant was engaged when he died. As he himself said of it:... more...

CHAPTER I. Upon one of those hot, sultry summer afternoons that so often prevail about the banks of the Bosphorus, the sun was fast sinking towards its western course, and gilding as it went, the golden crescents of a thousand minarets, now dancing with fairy feet over the rippling waters of Marmora, now dallying with the spray of the oarsmen's blades, as they pulled the gilded caique of some rich... more...