ACT I. (SCENE.--A spacious garden-room in the BERNICKS' house. In the foreground on the left is a door leading to BERNICK'S business room; farther back in the same wall, a similar door. In the middle of the opposite wall is a large entrance-door, which leads to the street. The wall in the background is almost wholly composed of plate-glass; a door in it opens upon a broad flight of steps... more...

CHAPTER I. WHEN THREE IS A MYSTERY "Mr. Shirley is waiting for you in the grill-room, sir. Just step this way, sir, and down the stairs." The large man awkwardly followed the servant to the cosey grill-room on the lower floor of the club house. He felt that every man of the little groups about the Flemish tables must be saying: "What's he doing here?" "I wish Monty Shirley... more...

SHORT STORY WRITING   some old belief vitalized by its bearing on our lives to-day, an analysis of an obscure calling, a glimpse at a forgotten quarter ... but one thing it can never be—it can never be 'a novel in a nutshell'." "A short story ... must lead up to something. It should have for its structure a plot, a bit of life, an incident such as you would find in a brief... more...

CHAPTER I.  EILEAN AROS. It was a beautiful morning in the late July when I set forth on foot for the last time for Aros.  A boat had put me ashore the night before at Grisapol; I had such breakfast as the little inn afforded, and, leaving all my baggage till I had an occasion to come round for it by sea, struck right across the promontory with a cheerful heart. I was far from being a native of these... more...

CHARACTERS. , with a night adventure. , Selwyn’s unwilling slave. , of the Kilkenny Irregulars. , Professor of Penmanship. , a boy in buttons. , Sam’s Wife. , Sam’s Daughter. , secretly married to Fred. , a parlor maid. .—At first as described in the “Scene,” afterwards in ordinary dress. .—Walking costume. .—Exaggerated military style. .—Eccentric old gentleman’s costume. and... more...

1. The Girl in the Chicken Coop The wind blew hard and joggled the water of the ocean, sending ripples across its surface. Then the wind pushed the edges of the ripples until they became waves, and shoved the waves around until they became billows. The billows rolled dreadfully high: higher even than the tops of houses. Some of them, indeed, rolled as high as the tops of tall trees, and seemed like... more...

The Master Builder—or Master Builder Solness, as the title runs in the original—we enter upon the final stage in Ibsen's career. "You are essentially right," the poet wrote to Count Prozor in March 1900, "when you say that the series which closes with the Epilogue (When We Dead Awaken) began with Master Builder Solness." "Ibsen," says Dr. Brahm, "wrote in... more...

CHAPTER I THE FABLE OF THE CIGALE AND THE ANT Fame is the daughter of Legend. In the world of creatures, as in the world of men, the story precedes and outlives history. There are many instances of the fact that if an insect attract our attention for this reason or that, it is given a place in those legends of the people whose last care is truth. For example, who is there that does not, at least by... more...

LECTURE I. THE DISCOVERY AND APPLICATION OF ART. A Lecture delivered at Manchester, July 10, 1857. 1. Among the various characteristics of the age in which we live, as compared with other ages of this not yet very experienced world, one of the most notable appears to me to be the just and wholesome contempt in which we hold poverty. I repeat, the just and wholesome contempt; though I see that some of... more...

CHAPTER I JOSEPH HAYDN It is, as a rule, inexpedient to begin a book with the peroration. Children are spared the physic of the moral till they have sucked in the sweetness of the tale. Adults may draw from a book what of good there is in it, and close it before reaching the chapter usually devoted to fine writing. But the case of Haydn is extraordinary. One can only sustain interest in a biography of... more...