I An unconscionable time a-dying—there is the picture ("I am afraid, gentlemen,") of your life and of mine. The sands run out, and the hours are "numbered and imputed," and the days go by; and when the last of these finds us, we have been a long time dying, and what else? The very length is something, if we reach that hour of separation undishonoured; and to have lived at all is... more...

CHAPTER I A LAMB FOR THE SACRIFICE "Perez," observed Captain Eri cheerfully, "I'm tryin' to average up with the mistakes of Providence." The Captain was seated by the open door of the dining room, in the rocker with the patched cane seat. He was apparently very busy doing something with a piece of fishline and a pair of long-legged rubber boots. Captain Perez, swinging back... more...

In Which the Tale Begins Somewhat Furiously. By the early light of a bright summer morning, long, long ago, two small boats were seen to issue from one of the fiords or firths on the west coast of Norway, and row towards the skerries or low rocky islets that lay about a mile distant from the mainland. Although the morning was young, the sun was already high in the heavens, and brought out in glowing... more...

THE PORTENT The hot weather had come suddenly, at least a month earlier than usual, and New York lay baking under a scorching sun when Miss Hetty Torrance sat in the coolest corner of the Grand Central Depot she could find. It was by her own wish she had spent the afternoon in the city unattended, for Miss Torrance was a self-reliant young woman; but it was fate and the irregularity of the little gold... more...

MURRAY BRADSHAW PLAYS HIS LAST CARD. "How can I see that man this evening, Mr. Lindsay?" "May I not be Clement, dearest? I would not see him at all, Myrtle. I don't believe you will find much pleasure in listening to his fine speeches." "I cannot endure it. Kitty, tell him I am engaged, and cannot see him this evening. No, no! don't say engaged, say very much... more...

PREFACE The aim of this book is to give the materials for the inductive study of English verse. Its origin was in certain university courses, for which it proved to be necessary—often for use in a single hour's work—to gather almost numberless books, some of which must ordinarily be inaccessible except in the vicinity of large libraries. I have tried to extract from these books the materials... more...

The Boy in the Garden. I always felt as if I should like to punch that boy’s head, and then directly after I used to feel as if I shouldn’t care to touch him, because he looked so dirty and ragged. It was not dirty dirt, if you know what I mean by that, but dirt that he gathered up in his work—bits of hay and straw, and dust off a shed floor; mud over his boots and on his toes, for you could see... more...

LAFE JOHNSON ARRIVES AT THE LAZY L RANCH It may come as a shock to many to learn that we have in cowland a considerable number of full-blooded men who have never made it a practice to step outside the door of a morning and shoot a fellow-citizen before breakfast. This is true; vital statistics and fiction to the contrary, notwithstanding. They are well-grown, two-fisted men, also, and work very hard... more...

INTRODUCTION During a remarkably severe winter, when a prodigious fall of snow confined everybody to their habitations, who were happy enough to have one to shelter them from the inclemency of the season, and were hot obliged by business to expose themselves to its rigour, I was on a visit to Meadow Hall; where had assembled likewise a large party of young folk, who all seemed, by their harmony and... more...

INTRODUCTION THE first three numbers in this collection are tales of the White Hills in New Hampshire. The passages from Sketches from Memory show that Hawthorne had visited the mountains in one of his occasional rambles from home, but there are no entries in his Note Books which give accounts of such a visit. There is, however, among these notes the following interesting paragraph, written in 1840 and... more...