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CHAPTER I She had not meant to stay for the service.  The door had stood invitingly open, and a glimpse of the interior had suggested to her the idea that it would make good copy.  “Old London Churches: Their Social and Historical Associations.”  It would be easy to collect anecdotes of the famous people who had attended them.  She might fix up a series for one of the religious papers.  It... more...

CHAPTER I SHEILA'S LEGACY Just before his death, Marcus Arundel, artist and father of Sheila, bore witness to his faith in God and man. He had been lying apparently unconscious, his slow, difficult breath drawn at longer and longer intervals. Sheila was huddled on the floor beside his bed, her hand pressing his urgently in the pitiful attempt, common to human love, to hold back the resolute soul... more...

CHAPTER I French women of the sixteenth, seventeenth, and eighteenth centuries, when studied according to the distinctive phases of their influence, are best divided into three classes: those queens who, as wives, represented virtue, education, and family life; the mistresses, who were instigators of political intrigue, immorality, and vice; and the authoresses and other educated women, who constituted... more...

by: Various
THOMAS CHATTERTON. In the history of English literature there is no name that inspires a profounder melancholy than that of the "marvellous boy" Chatterton, of whom it must be said that in genius he surpassed any one who ever died so young, and that in suffering he had larger experience than almost any one who has lived to old age. Shelley says of him:"'Mid others of less note came one... more...

FIRST PART. LIFE'S JOYS AND SORROWS.1783 TO 1815. 1.TO THE ELECTOR OF COLOGNE, FREDERICK MAXIMILIAN. ILLUSTRIOUS PRINCE,-- Music from my fourth year has ever been my favorite pursuit. Thus early introduced to the sweet Muse, who attuned my soul to pure harmony, I loved her, and sometimes ventured to think that I was beloved by her in return. I have now attained my eleventh year, and my Muse often... more...

CHAPTER I In Which Silken Ladies Ascend One Stairway, and a Lonely Wayfarer Ascends Another and Comes Face to Face With Old Friends. The big house, standing on a high hill which overlooked the city, showed in the moonlight the grotesque outlines of a composite architecture. Originally it had been a square substantial edifice of Colonial simplicity. A later and less restrained taste had aimed at a... more...

CHAPTER I For the audacity of the title of this book I offer no apology. I have had it pointed out, not altogether facetiously, that it is impossible to determine with accuracy what one woman, much less what any number of women, wants. I sympathize with the first half of the tradition. The desires, that is to say, the ideals, of an individual, man or woman, are not always easy to determine. The... more...

RENEWAL REGISTRATIONS A list of books, pamphlets, serials, and contributions to periodicals for which renewal registrations were made during the period covered by this issue. Arrangement is alphabetical under the name of the author or issuing body or, in the case of serials and certain other works, by title. Information relating to both the original and the renewal registration is included in each... more...

HISTORY OF THE BUILDING. Long before any church stood on the site of the present cathedral, long before the time of Albanus, who is universally allowed to have been the first Christian martyr whose blood was shed in this island, events that have found a place in the early history of Britain occurred in the immediate neighbourhood of the city we call St. Albans. Here in all probability stood the oppidum... more...

THE SOWER Questions to arouse interest. What is this man doing? Why do you think so? What does he carry over his shoulder? in his bag? How does he sow the grain? What will be the result of his work? How do you think the grain will be covered? What can you see in the background? Do you think the oxen are plowing the field or covering the grain? why? What time of the day is it? What can you see in this... more...