CHAPTER I So we settled it all when the storm was doneAs comf'y as comf'y could be;And I was to wait in the barn, my dears,Because I was only three;And Teddy would run to the rainbow's foot,Because he was five and a man;And that's how it all began, my dears,And that's how it all began. —Big Barn Stories. 'WHAT do you think she'd do if she caught us? We oughtn't... more...

PROLOGUE At the piano a man sat playing the "Revolutionary Étude" of Chopin. The room was magnificent in its proportions, its furnishings were massive, its paneled oak walls were hung with portraits of men and women in the costumes of a bygone day. Through the lofty windows, the casements of which were open to the evening sky there was a vista of forest and meadow-land stretching interminably... more...

THE TEMPERATURE OF THE EARTH AS SHOWN BY DEEP MINES. At a recent meeting of the American Society of Civil Engineers, observations on the temperature of the earth, as shown by deep mines, were presented by Messrs. Hamilton Smith, Jr., and Edward B Dorsey. Mr. Smith said that the temperature of the earth varies very greatly at different localities and in different geological formations. There are decided... more...

CHAPTER I. "Now what can be done?" said the Doctor. "That's the question. What on earth can I do about it?" He put this question emphatically, with an energetic blow of his gloved hand upon his knee, and seemed very desirous of receiving an answer, although he was jogging along alone in his comfortable brougham. But the Doctor was perplexed, and wanted some one to help him out of... more...

The river ran still and deep, green and gray in the eddies with the warm smell of late summer rising out of the slow water. Madrone and birch and willow, limp in the evening quiet, and the taste of smouldering leaves.... It wasn’t the Russian River. It was the Sacred Iss. The sun had touched the gem-encrusted cliffs by the shores of the Lost Sea of Korus and had vanished, leaving only the stillness... more...

INTRODUCTION Richard Sherry’s A Treatise of Schemes and Tropes (1550), a familiar work of the Renaissance, is primarily thought of as a sixteenth-century English textbook on the figures. Yet it is also a mirror of one variation of rhetoric which came to be called the rhetoric of style. As a representative of this stylistic school, it offers little that is new to the third part of classical rhetoric.... more...

There has recently been a most interesting discussion at the Literary and Philosophical Society, Manchester, on the above subject. The paper which gave rise to the discussion was by Mr. Brockbank, who detailed many experiments, and ended by stating his opinion that iron does become much weaker, both in its cast and wrought states, under the influence of low temperature; but Mr. Brockbank's paper... more...

CHAPTER IA FAREWELL BANQUET "D'Aumont!" "Eh? d'Aumont!" The voice, that of a man still in the prime of life, but already raucous in its tone, thickened through constant mirthless laughter, rendered querulous too from long vigils kept at the shrine of pleasure, rose above the incessant babel of women's chatter, the din of silver, china and glasses passing to and fro.... more...

THE 'Contrast' was the first American play ever performed in public by a company of professional actors. Several plays by native authors had been previously published, the more noteworthy being the 'Prince of Parthia,' a tragedy by Thomas Godfrey of Philadelphia, which was probably written, and was offered to Hallam's company in 1759 (but not produced), and was printed in 1765,... more...

CHAPTER XII. THE BEGINNING OF THE END. Nor was it unnatural that it should be. Moral precepts, philosophic guidance were no longer possible to one whose compliances or whose timidity had led him so far as first to sanction matricide, and then to defend it. He might indeed be still powerful to recommend principles of common sense and political expediency, but the loftier lessons of Stoicism, nay, even... more...