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by:
Percy Goetschius
CHAPTER I. INTRODUCTION. THE NECESSITY OF FORM IN MUSIC.—So much uncertainty and diversity of opinion exists among music lovers of every grade concerning the presence of Form in musical composition, and the necessity of its presence there, that a few general principles are submitted at the outset of our studies, as a guide to individual reflection and judgment on the subject. Certain apparently...
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CHAPTER 1. Inasmuch as the scene of this story is that historic pile, Belpher Castle, in the county of Hampshire, it would be an agreeable task to open it with a leisurely description of the place, followed by some notes on the history of the Earls of Marshmoreton, who have owned it since the fifteenth century. Unfortunately, in these days of rush and hurry, a novelist works at a disadvantage. He must...
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by:
Harry Bates
The Ability to communicate ideas from one individual to another," said a professor of sociology to his class, "is the principal distinction between human beings and their brute forbears. The increase and refinement of this ability to communicate is an index of the degree of civilization of a people. The more civilized a people, the more perfect their ability to communicate, especially under...
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by:
Charles Mair
SCENE FIRST.—THE FOREST NEAR THE PROPHET'S TOWN ON THE TIPPECANOE. Enter the PROPHET. PROPHET. Twelve moons have wasted, and no tidings still! Tecumseh must have perished! Joy has tearsAs well as grief, and mine will freely flow—Sembling our women's piteous privilege—Whilst dry ambition ambles to its ends.My schemes have swelled to greatness, and my nameHas flown so far upon the wings...
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ON THE POSSESSION OF A SENSE OF HUMOR "Man," says Hazlitt, "is the only animal that laughs and weeps, for he is the only animal that is struck with the difference between what things are and what they ought to be." The sources, then, of laughter and tears come very close together. At the difference between things as they are and as they ought to be we laugh, or we weep; it would depend,...
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by:
Louis Glanzman
"ALL ABOARD!" A metallic voice rasped over the loud-speakers and echoed through the lofty marble and aluminum concourse of the New Chicago Monorail Terminal. "Atom City express on Track Seven! Space Academy first stop! Passengers for Space Academy will please take seats in the first six cars!" As the crowd of people waiting in the concourse surged through the gate leading to Track...
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CHAPTER I INDICATIONS THAT YOUNG PEOPLE DO NOT LEARN TO STUDY PROPERLY; THE SERIOUSNESS OF THE EVIL No doubt every one can recall peculiar methods of study that he or some one else has at some time followed. During my attendance at high school I often studied aloud at home, along with several other temporary or permanent members of the family. I remember becoming exasperated at times by one of my girl...
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by:
Victor Hugo
INTRODUCTION Victor Hugo was thinking much of Æschylus and his Prometheus at the time he conceived the figure of Gilliatt, heroic warrer with the elements. But it is to a creature of the Gothic mind like Byron's Manfred, and not to any earlier, or classic, type of the eternal rebellion against fate or time or circumstance, that Hugo's readers will be tempted to turn for the fellow to his...
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"It is but a step from Confucius to confusion," said I, in a brief discussion of the Chinese question. "Then let us take it by all means," replied the artist, who had been an indulgent listener for at least ten minutes. We were strolling upon the verge of the Chinese Quarter in San Francisco, and, turning aside from one of the chief thoroughfares of the city, we plunged into the busiest...
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by:
Gertrude P. Dyer
CHAPTER I. POLLIE STARTS IN BUSINESS. "A penny a bunch; only a penny, sweet violets," cried a soft little voice, just outside the Bank of England, one morning in early spring; "only a penny a bunch!" But the throng of busy clerks hurrying on to their various places of business heard not that childish voice amidst the confused din of omnibus and cabs, and so she stood, timidly uttering...
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