PROLOGUE At the piano a man sat playing the "Revolutionary Étude" of Chopin. The room was magnificent in its proportions, its furnishings were massive, its paneled oak walls were hung with portraits of men and women in the costumes of a bygone day. Through the lofty windows, the casements of which were open to the evening sky there was a vista of forest and meadow-land stretching interminably... more...

Second Fig   Safe upon the solid rock the ugly houses stand:  Come and see my shining palace built upon the sand! Recuerdo   We were very tired, we were very merry—  We had gone back and forth all night on the ferry.  It was bare and bright, and smelled like a stable—  But we looked into a fire, we leaned across a table,  We lay on a hill-top underneath the moon;  And the whistles... more...

THE TEMPERATURE OF THE EARTH AS SHOWN BY DEEP MINES. At a recent meeting of the American Society of Civil Engineers, observations on the temperature of the earth, as shown by deep mines, were presented by Messrs. Hamilton Smith, Jr., and Edward B Dorsey. Mr. Smith said that the temperature of the earth varies very greatly at different localities and in different geological formations. There are decided... more...

The river ran still and deep, green and gray in the eddies with the warm smell of late summer rising out of the slow water. Madrone and birch and willow, limp in the evening quiet, and the taste of smouldering leaves.... It wasn’t the Russian River. It was the Sacred Iss. The sun had touched the gem-encrusted cliffs by the shores of the Lost Sea of Korus and had vanished, leaving only the stillness... more...

INTRODUCTION Richard Sherry’s A Treatise of Schemes and Tropes (1550), a familiar work of the Renaissance, is primarily thought of as a sixteenth-century English textbook on the figures. Yet it is also a mirror of one variation of rhetoric which came to be called the rhetoric of style. As a representative of this stylistic school, it offers little that is new to the third part of classical rhetoric.... more...

CHAPTER I Stanbury Hill, remote but two hours' walk from a region blasted with mine and factory and furnace, shelters with its western slope a fair green valley, a land of meadows and orchard, untouched by poisonous breath. At its foot lies the village of Wanley. The opposite side of the hollow is clad with native wood, skirting for more than a mile the bank of a shallow stream, a tributary of the... more...

There has recently been a most interesting discussion at the Literary and Philosophical Society, Manchester, on the above subject. The paper which gave rise to the discussion was by Mr. Brockbank, who detailed many experiments, and ended by stating his opinion that iron does become much weaker, both in its cast and wrought states, under the influence of low temperature; but Mr. Brockbank's paper... more...

CHAPTER IA FAREWELL BANQUET "D'Aumont!" "Eh? d'Aumont!" The voice, that of a man still in the prime of life, but already raucous in its tone, thickened through constant mirthless laughter, rendered querulous too from long vigils kept at the shrine of pleasure, rose above the incessant babel of women's chatter, the din of silver, china and glasses passing to and fro.... more...

THE 'Contrast' was the first American play ever performed in public by a company of professional actors. Several plays by native authors had been previously published, the more noteworthy being the 'Prince of Parthia,' a tragedy by Thomas Godfrey of Philadelphia, which was probably written, and was offered to Hallam's company in 1759 (but not produced), and was printed in 1765,... more...

CHAPTER I LONDON IN THE 'EIGHTIES The few recollections of William Forster that I have put together in the preceding volume lead naturally, perhaps, to some account of my friendship and working relations at this time with Forster's most formidable critic in the political press—Mr. John Morley, now Lord Morley. It was in the late 'seventies, I think, that I first saw Mr. Morley. I sat... more...