The man of fancy made an entertainment at one of his castles in the air, and invited a select number of distinguished personages to favor him with their presence. The mansion, though less splendid than many that have been situated in the same region, was nevertheless of a magnificence such as is seldom witnessed by those acquainted only with terrestrial architecture. Its strong foundations and massive... more...

ACT I., SCENE I. The Exchange. Enter YOUNG MASTER ARTHUR and YOUNG MASTER LUSAM. Y. ART. I tell you true, sir; but to every manI would not be so lavish of my speech:Only to you, my dear and private friend,Although my wife in every eye be heldOf beauty and of grace sufficient,Of honest birth and good behaviour,Able to win the strongest thoughts to her,Yet, in my mind, I hold her the most hatedAnd... more...

SUMMER'S LAST WILL AND TESTAMENT.[16] Enter WILL SUMMER,[17] in his fool's coat but half on, coming out. Noctem peccatis et fraudibus objice nubem.[18] There is no such fine time to play the knave in as the night. I am a goose or a ghost, at least; for what with turmoil of getting my fool's apparel, and care of being perfect, I am sure I have not yet supp'd to-night. Will... more...

INTRODUCTION. It appears from William Webbe's Epistle prefixed to this piece, that after its first exhibition it was laid aside, and at some distance of time was new-written by R. Wilmot. The reader, therefore, may not be displeased with a specimen of it in its original dress. It is here given from the fragment of an ancient MS. taken out of a chest of papers formerly belonging to Mr Powell,... more...

Four of the five ensuing Plays belong to a peculiar class of our early dramatic performances never yet especially noticed, nor sufficiently illustrated. Many specimens have of late years been printed, and reprinted, of Miracle-plays, of Moral-plays, and of productions written in the most matured period of our dramatic literature; but little or nothing has been done to afford information respecting a... more...

INTERLUDE OF YOUTH. CHARITY.Jesu that his arms did spread,And on a tree was done to dead,From all perils he you defend!I desire audience till I have made an end,For I am come from God aboveTo occupy his laws to your behove,And am named Charity;There may no man saved beWithout the help of me,For he that Charity doth refuse,Other virtues though he do use,Without Charity it will not be,For it is written... more...

PREFACE. After the lapse of about half a century since the issue of the last edition of Dodsley's Select Collection of Old Plays,[1] and the admittance of that work into the honourable rank of scarce and dear books, it seemed a desirable thing to attempt, with such additional improvements as might be practicable or expedient, a revival of a publication which has been a favourite with the lovers of... more...

TO HIS LOVING FRIEND THE AUTHOR, UPON HIS TRAGEDY "THE REBELLION."To praise thee, friend, and show the reason why,Issues from honest love, not flattery.My will is not to flatter, nor for spiteTo praise or dispraise, but to do thee rightProud daring rebels in their impious wayOf Machiavellian darkness this thy playExactly shows; speaks thee truth's satirist,Rebellion's foe, time's... more...

Chapter One. The Sheep-Stealers. The sun flamed down from a cloudless sky upon the green and gold of the wide valley, hot and sensuous in the early afternoon. The joyous piping of sheeny spreeuws mingled with the crowing of cock koorhans concealed amid the grass, or noisily taking to flight to fuss up half a dozen others in the process. Mingled, too, with all this, came the swirl of the red, turgid... more...

A SECOND HOME The Rue du Tourniquet-Saint-Jean, formerly one of the darkest and most tortuous of the streets about the Hotel de Ville, zigzagged round the little gardens of the Paris Prefecture, and ended at the Rue Martroi, exactly at the angle of an old wall now pulled down. Here stood the turnstile to which the street owed its name; it was not removed till 1823, when the Municipality built a... more...