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INTRODUCTION THE KINDS OF CRITICISM It is probably unnecessary, and might possibly be impertinent, to renew here at any length the old debate between reviewers as reviewers, and reviewers as authors—the debate whether the reissue of work contributed to periodicals is desirable or not. The plea that half the best prose literature of this century would be inaccessible if the practice had been... more...

INTRODUCTION. It is less than twenty-five years since the first cold Grapery was erected on the Hudson. Since the success of the culture of the delicious varieties of the exotic Grape has been demonstrated, the number of graperies has annually increased, and during the last ten years in a very rapid ratio, until they have become recognized as possible and desirable, among those even whose circumstances... more...

CHAPTER I. The many aspects of a brook—The eye sees only that which it is capable of seeing—Individuality of brooks and their banks—The rippling "burnie" of the hills—The gently-flowing brooks of low-lying districts—Individualities even of such brooks—The fresh-water brooks of Oxford and the tidal brooks of the Kentish marshes—The swarming life in which they abound—An... more...

I. THE PROBLEM OF ANÆSTHESIA DURING EYE-MOVEMENT. A first suggestion of the possible presence of anæsthesia during eye-movement is given by a very simple observation. All near objects seen from a fairly rapidly moving car appear fused. No further suggestion of their various contour is distinguishable than blurred streaks of color arranged parallel, in a hazy stream which flows rapidly past toward the... more...

AN ACCOUNT OF THE LIFE OF THE AUTHOR. DR. GARNETT was born at Casterton, near Kirkby Lonsdale, Westmoreland, on the 21st of April, 1766. During the first fifteen years of his life, he remained with his parents, and was instructed by them in the precepts of the established church of England, from which he drew that scheme of virtue, by which every action of his future life was to be governed. The only... more...

Introduction VERY soon after the decease of my beloved father-in-law I began to receive letters pressing upon me the desirableness of issuing as soon as possible a memoir of him and his work. The well-known autobiography, entitled "Narrative of the Lord's Dealings with George Müller," had been, and was still being, so greatly used by God in the edification of believers and the conversion... more...

CHAPTER I Near sunset, one day in early October, not too long ago for some of us to remember with distinctness, Mr. Foss, United States consul at Florence, Italy, took a cab, as on other days, to the Porta Romana. Here, where the out-of-town tariff comes into effect, he paid his man, and set out to walk the rest of the way, thus meeting the various needs he felt: that for economy,–he was a family man... more...

by: Various
THE NEW MARVEL IN PHOTOGRAPHY. A VISIT TO PROFESSOR RÖNTGEN AT HIS LABORATORY IN WÜRZBURG.—HIS OWN ACCOUNT OF HIS GREAT DISCOVERY.—INTERESTING EXPERIMENTS WITH THE CATHODE RAYS.—PRACTICAL USES OF THE NEW PHOTOGRAPHY. By H.J.W. Dam. PICTURE OF AN ALUMINIUM CIGAR-CASE, SHOWING CIGARS WITHIN. From a photograph by A.A.C. Swinton, Victoria Street, London. Exposure, ten minutes. N all the history of... more...

by: O. Henry
INTRODUCTION   This the twelfth and final volume of O. Henry's work gets its title from an early newspaper venture of which he was the head and front. On April 28, 1894, there appeared in Austin, Texas, volume 1, number 3, of The Rolling Stone, with a circulation greatly in excess of that of the only two numbers that had gone before. Apparently the business office was encouraged. The first two... more...

JOAN READS BY FIRELIGHT There is no silence so fearful, so breathless, so searching as the night silence of a wild country buried five feet deep in snow. For thirty miles or so, north, south, east, and west of the small, half-smothered speck of gold in Pierre Landis’s cabin window, there lay, on a certain December night, this silence, bathed in moonlight. The cold was intense: below the bench where... more...