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INTRODUCTION The drama was cultivated by the Incas, and dramatic performances were enacted before them. Garcilasso de la Vega, Molina, and Salcamayhua are the authorities who received and have recorded the information given by the Amautas respecting the Inca drama. Some of these dramas, and portions of others, were preserved in the memories of members of Inca and Amauta families. The Spanish priests,...
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CHAPTER I Moths of the Limberlost To me the Limberlost is a word with which to conjure; a spot wherein to revel. The swamp lies in north-eastern Indiana, nearly one hundred miles south of the Michigan line and ten west of the Ohio. In its day it covered a large area. When I arrived; there were miles of unbroken forest, lakes provided with boats for navigation, streams of running water, the roads around...
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Various
INTRODUCTION Arthur B. Reeve What is the fascination we feel for the mystery of the ghost story? Is it of the same nature as the fascination which we feel for the mystery of the detective story? Of the latter fascination, the late Paul Armstrong used to say that it was because we are all as full of crime as Sing Sing—only we don't dare. Thus, may I ask, are we not fascinated by the ghost story...
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Various
THE MYSTERY OF MR. E. DROOD. AN ADAPTATION. BY ORPHEUS C. KERR. CHAPTER XXIV. MR. CLEWS AT HIS NOVEL. Thrown into Rembrandtish relief by the light of a garish kerosene lamp upon the table: with one discouraged lock of hair hanging over his nose, and straw hat pushed so far back from his phrenological brow that its vast rim had the fine artistic effect of a huge saintly nimbus: Mr. BUMSTEAD sat...
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Mary Buckle
Embroidery may be looked at from more points of view than it would be possible in a book like this to take up seriously. Merely to hover round the subject and glance casually at it would serve no useful purpose. It may be as well, therefore, to define our standpoint: we look at the art from its practical side, not, of course, neglecting the artistic, for the practical use of embroidery is to be...
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CHAPTER I. MARY'S LETTER. It was past twelve o'clock when Edward Arundel strolled into the dining-room. The windows were open, and the scent of the mignionette upon the terrace was blown in upon the warm summer breeze. Mrs. Marchmont was sitting at one end of the long table, reading a newspaper. She looked up as Edward entered the room. She was pale, but not much paler than usual. The...
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CHAPTER I THE EARTH It is a curious fact that when we are used to things, we often do not notice them, and things which we do every day cease to attract our attention. We find an instance of this in the curious change that comes over objects the further they are removed from us. They grow smaller and smaller, so that at a distance a grown-up person looks no larger than a doll; and a short stick planted...
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Various
THE GAME OF THE LITTLE HORSES. (A Sketch at the Casino, Dinard.) On either side of the circular Race-course, with its revolving metal horses, is a Green Table, divided into numbered squares, around which the Players, who are mostly English, are sitting or standing. A Croupier with his rake presides at each table. In an obscure corner of the balcony outside, Miss DAINTREE and her Married Sister have...
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FUNDAMENTAL PRINCIPLES. What is the basic principle of my system? It is, Learn by Thinking. What is Attention? It is the will directing the activity of the intellect into some particular channel and keeping it there. It is the opposite of mind-wandering. What is thinking? It consists in finding relations between the objects of thought with an immediate awareness of those relations. What is the Sensuous...
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Kenneth Grahame
I. THE RIVER BANK The Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and...
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