THE MIND OF THE ARTIST An able painter by his power of penetration into the mysteries of his art is usually an able critic. Alfred Stevens. The Belgian painter, not the English sculptor. Art, like love, excludes all competition, and absorbs the man. Fuseli. A good painter has two chief objects to paint, namely, man, and the intention of his soul. The first is easy, the second difficult, because he has... more...

Chapter One. My Boy Audience. My name is Philip Forster, and I am now an old man. I reside in a quiet little village, that stands upon the sea-shore, at the bottom of a very large bay—one of the largest in our island. I have styled it a quiet village, and so it really is, though it boasts of being a seaport. There is a little pier or jetty of chiselled granite, alongside which you may usually observe... more...

In the sea story of Australia, from the days of Captain Phillip in 1788, to the end of the "fifties" in the present century, American ships and seamen have no little part. First they came into the harbour of Sydney Cove as traders carrying provisions for sale to the half-starved settlers, then as whalers, and before another thirty years had passed, the starry banner might be met with anywhere... more...

Of all kinds of satire, there is none so entertaining and universally improving, as that which is introduced, as it were occasionally, in the course of an interesting story, which brings every incident home to life, and by representing familiar scenes in an uncommon and amusing point of view, invests them with all the graces of novelty, while nature is appealed to in every particular. The reader... more...

We Jolly Sailor Boys. “Come along, boys; look sharp! Here’s old Dishy coming.” “Hang old Dishipline; he’s always coming when he isn’t wanted. Tumble over.” We three lads, midshipmen on board HM clipper gunboat the Teaser, did “tumble over”—in other words, made our way down into the boat alongside—but not so quickly that the first lieutenant, Mr Reardon, who, from his slightly... more...

CHAPTER I A COLLISION IN THE FOG "Wow! Look at that one! That's a monster!" "That must be the ninth wave." "What do you mean by the ninth wave, Jack?" "Why, Arnold, don't you know that every third wave is bigger than the two preceding it and that every ninth wave is bigger than the preceding eight?" queried Jack Stanley. "No, can't say that I ever knew... more...

The fine old house stood on Jumping Tom Hill, above the town. It had stood there before there was a town, when only a cabin or two fringed the woods below, nearer the shore. The weather boarding had been brought in ships from England, ready sawed; likewise the bricks of the chimney. Indians used to come to the house in the cold of winter, begging shelter. Given blankets, and food, and drink, they slept... more...

CHAPTER I It was the writing guy who drew this story out of Captain Shreve. He talked so much I think the Old Man spun the yarn just to shut him up. He had talked ever since his arrival on board, early that morning, with a letter from the owners' agent, and the announcement he intended making the voyage with us. He had weak lungs, he said, and was in search of mild, tropical breezes. Also, he was... more...

Chapter One. The Picnic on the Sands—The Midshipman—Harry Merryweather and David Moreton Caught by the Tide—The Alarm. Few parts of the shores of old England present more beautiful and romantic scenery than is to be found on the coast of Cornwall. There are deep bays, and bold headlands, and wild rocks, and lofty cliffs, and wooded heights, and bare downs, and yellow sands full of the most minute... more...

FIRST NOTE The pages which follow have been extracted from a pile of manuscript which was apparently meant for the eye of one woman only.  She seems to have been the writer’s childhood’s friend.  They had parted as children, or very little more than children.  Years passed.  Then something recalled to the woman the companion of her young days and she wrote to him:... more...