ACT I The MARCH'S dining-room opens through French windows on one of thosegardens which seem infinite, till they are seen to be coterminouswith the side walls of the house, and finite at the far end, becauseonly the thick screen of acacias and sumachs prevents another housefrom being seen. The French and other windows form practically allthe outer wall of that dining-room, and between them and the... more...

Now and then in my various prowlings I have met a man with a personality; one with mental equipment, heart endowment, self-forgetfulness, and charm—the kind of charm that makes you glad when he comes and sorry when he goes. One was a big-chested, straight-backed, clear-eyed, clean-souled sea-dog, with arms of hickory, fingers of steel, and a brain in instant touch with a button marked "Experience... more...

Frau Feldner, Valerie's old lady's-maid, told Elsa that her lady was in a sound sleep, as was always the case with her after a violent attack of headache, and out of which she would hardly awake before evening. Elsa, who had herself suffered from the extraordinary sultriness of the day, and from the uncomfortable conversation at dinner, and was also put out and agitated by the scene with the... more...

I. The Light in the Window A rickety carriage was slowly ascending the hill, and from the place of honour on the back seat, the single passenger surveyed the country with interest and admiration. The driver of that ancient chariot was an awkward young fellow, possibly twenty-five years of age, with sharp knees, large, red hands, high cheek-bones, and abundant hair of a shade verging upon orange. He was... more...

It was not a sinister silence. No silence is sinister until it acquires a background of understandable menace. Here there was only the night quiet of Maternity, the silence of noiseless rubber heels on the hospital corridor floor, the faint brush of starched white skirts brushing through doorways into darkened and semi-darkened rooms. But there was something wrong with the silence in the "basket... more...

The text of the present issue of Lord Byron's Poetical Works is based on that of 'The Works of Lord Byron', in six volumes, 12mo, which was published by John Murray in 1831. That edition followed the text of the successive issues of plays and poems which appeared in the author's lifetime, and were subject to his own revision, or that of Gifford and other accredited readers. A more... more...

Self and Friends. Bigley Uggleston always said that it was in 1753, because he vowed that was the hot year when we had gone home for the midsummer holidays from Barnstaple Grammar-school. Bob Chowne stuck out, as he always would when he knew he was wrong, that it was in 1755, and when I asked him why he put it then, he held up his left hand with his fingers and thumb spread out, which was always his... more...

I. The traveller from the Old World, who has a few weeks at his disposal for a visit to the United States, usually passes straight from one to another of our principal cities, such as Boston, New York, Washington, or Chicago, stopping for a day or two perhaps at Niagara Falls,--or, perhaps, after traversing a distance like that which separates England from Mesopotamia, reaches the vast table-lands of... more...

CHAPTER I THE MARKET-PLACE AND BELFRY—EARLY HISTORY OF BRUGES Every visitor to 'the quaint old Flemish city' goes first to the Market-Place. On Saturday mornings the wide space beneath the mighty Belfry is full of stalls, with white canvas awnings, and heaped up with a curious assortment of goods. Clothing of every description, sabots and leathern shoes and boots, huge earthenware jars,... more...

CHAPTER I They were types in embryo, but of course they did not know it. No more would a grain of wheat and a poppy seed dropping side-by-side in a fallow place reflect upon their destinies, though one might typify a working world's dependence for bread; the other a dreaming world's reliance for opium. They were a boy and a girl stepping artlessly into the wide chances of a brand-new and... more...